1 00:00:06,440 --> 00:00:08,842 MY NAME IS TEMPLE GRANDIN. 2 00:00:08,942 --> 00:00:11,045 I'M NOT LIKE OTHER PEOPLE. 3 00:00:15,349 --> 00:00:19,087 I THINK IN PICTURES AND I CONNECT THEM. 4 00:02:07,895 --> 00:02:10,331 THERE SHE IS! TEMPLE! 5 00:02:11,565 --> 00:02:13,767 IT'S HOT! 6 00:02:13,867 --> 00:02:17,538 COME ON, DEAR. YOU'RE HOLDING UP THE OTHER PASSENGERS! 7 00:02:18,939 --> 00:02:20,841 I CAN SEE THE HEAT! 8 00:02:27,014 --> 00:02:28,382 TEMPLE! 9 00:02:32,986 --> 00:02:34,855 DO PEOPLE LIVE HERE? 10 00:02:37,491 --> 00:02:39,460 ( bluegrass on radio ) 11 00:02:39,560 --> 00:02:42,330 - ( birds chirping ) - ( Temple laughing) 12 00:02:42,430 --> 00:02:44,198 THE WOLF IS GROWLING 13 00:02:44,298 --> 00:02:47,635 AND THE MAN WITH THE SHOTGUN SAYS TO ILLYA KURYAKIN, 14 00:02:47,735 --> 00:02:49,537 ( Scottish brogue ) "WOULD YOU LIKE FOR ME TO OPEN THE GATE?" 15 00:02:49,637 --> 00:02:51,239 ( laughs ) 16 00:02:51,339 --> 00:02:53,907 I'M SORRY, TEMPLE, YOU LOST ME. 17 00:02:54,007 --> 00:02:56,910 "THE MAN FROM U.N.C.L.E."-- "THE GAZEBO IN THE MAZE." 18 00:02:57,010 --> 00:02:58,679 THE WOLF IS GROWLING 19 00:02:58,779 --> 00:03:01,315 AND THE MAN WITH THE SHOTGUN SAYS TO ILLYA KURYAKIN, 20 00:03:01,415 --> 00:03:03,351 Both: WOULD YOU LIKE FOR ME TO OPEN THE GATE? 21 00:03:03,451 --> 00:03:06,687 "WOULD YOU LIKE FOR ME TO OPEN THE GATE?" 22 00:03:06,787 --> 00:03:09,723 ( cattle mooing ) 23 00:03:11,725 --> 00:03:14,027 YOU OKAY? 24 00:03:14,127 --> 00:03:16,530 AUNT ANN, WHAT IS THIS PLACE? 25 00:03:16,630 --> 00:03:18,266 Ann: JUST HOLDING PENS. 26 00:03:18,366 --> 00:03:20,401 YOU DON'T HAVE THOSE ON THE EAST COAST, HUH? 27 00:03:20,501 --> 00:03:23,003 IS THIS WHERE THEY SLAUGHTER THEM? 28 00:03:23,103 --> 00:03:25,473 YES, IT IS. 29 00:03:31,745 --> 00:03:33,213 Temple: "WOULD YOU LIKE FOR ME TO OPEN THE GATE?" 30 00:03:33,314 --> 00:03:36,584 "WOULD YOU LIKE FOR ME TO OPEN THE GATE?" 31 00:03:36,684 --> 00:03:39,420 - ( horse whinnies ) - YES. YES, PLEASE. 32 00:03:39,520 --> 00:03:44,492 OPEN THE GATE, PLEASE, TEMPLE? 33 00:03:44,592 --> 00:03:47,995 - WOULD YOU LIKE FOR ME TO OPEN THAT GATE? - YES! 34 00:03:58,506 --> 00:04:00,974 ( horses whinnying ) 35 00:04:02,710 --> 00:04:04,845 ( brays ) 36 00:04:06,547 --> 00:04:08,649 - ( gate creaking ) - ( man whistling sharply ) 37 00:04:08,749 --> 00:04:11,985 ( cattle mooing ) 38 00:04:17,057 --> 00:04:19,527 Man: THAT'S IT! 39 00:04:28,068 --> 00:04:30,037 Ann: COME ON, TEMPLE. 40 00:04:30,137 --> 00:04:32,906 ( gate creaking ) 41 00:04:47,321 --> 00:04:49,256 TEMPLE? 42 00:04:49,357 --> 00:04:52,893 Man: COME ON, GIT! ( whistles sharply ) 43 00:04:52,993 --> 00:04:54,495 HERE THEY COME. 44 00:04:54,595 --> 00:04:56,263 - ( dog barking ) - Ann: TEMPLE MADE IT OKAY. 45 00:04:56,364 --> 00:04:59,667 - SAY HI TO YOUR UNCLE MIKE. - HI, TEMPLE. 46 00:04:59,767 --> 00:05:01,569 I-- I JUST BEEN TELLIN' BILLY HERE 47 00:05:01,669 --> 00:05:03,337 ALL ABOUT OUR SUMMER VISITOR. 48 00:05:05,406 --> 00:05:08,308 - ARE YOU A COWBOY? - EXCUSE MY NIECE. 49 00:05:08,409 --> 00:05:11,779 THAT'S NOT HOW WE GREET PEOPLE, TEMPLE. YOU KNOW BETTER THAN THAT. 50 00:05:11,879 --> 00:05:14,815 HELLO, I'M TEMPLE. IT'S VERY NICE TO MEET YOU. 51 00:05:14,915 --> 00:05:17,518 HELLO, I'M TEMPLE. IT'S VERY NICE TO MEET YOU. 52 00:05:17,618 --> 00:05:20,721 Billy: NICE TO MEET YOU TOO. 53 00:05:22,690 --> 00:05:24,157 MA'AM. 54 00:05:24,257 --> 00:05:26,694 THANKS FOR THIS. I'LL REPLACE IT TOMORROW. 55 00:05:26,794 --> 00:05:28,829 YEAH. NO RUSH. I GOT SPARES. 56 00:05:28,929 --> 00:05:30,130 UH. 57 00:05:30,230 --> 00:05:32,299 OH! 58 00:05:32,400 --> 00:05:34,435 DO YOU GET "THE MAN FROM U.N.C.L.E."? 59 00:05:35,403 --> 00:05:37,037 LET ME SHOW YOU YOUR ROOM. 60 00:05:37,137 --> 00:05:38,906 ( dramatic whirring ) 61 00:05:41,409 --> 00:05:43,377 ( dog barks distantly ) 62 00:05:43,477 --> 00:05:45,413 ( birds chirping ) 63 00:05:45,513 --> 00:05:47,014 THESE OKAY HERE? 64 00:05:50,017 --> 00:05:51,785 OH, AND I PUT ALL MY SCIENCE FICTION BOOKS THERE. 65 00:05:51,885 --> 00:05:54,154 HOW DO I KNOW THIS IS MY ROOM? 66 00:05:54,254 --> 00:05:57,090 BECAUSE WE SAY SO. IT'S YOUR ROOM. 67 00:06:05,966 --> 00:06:08,569 ( marker screeching on paper loudly ) 68 00:06:14,007 --> 00:06:15,876 OKAY? 69 00:06:18,178 --> 00:06:19,480 OKAY. 70 00:06:19,580 --> 00:06:21,782 ( filter gurgling ) 71 00:06:25,453 --> 00:06:28,155 ( dishes clanking ) 72 00:06:34,061 --> 00:06:37,498 SO, TEMPLE, Y-YOU EXCITED ABOUT COLLEGE? 73 00:06:37,598 --> 00:06:40,100 THAT'S SOMETHING. 74 00:06:40,200 --> 00:06:41,902 - THANK YOU. - I CAN'T EAT THAT. 75 00:06:42,002 --> 00:06:43,804 I HAVE COLITIS. I GET IT FROM NERVOUSNESS. 76 00:06:43,904 --> 00:06:45,773 - I EAT PUDDING AND JELL-O. - I KNOW. 77 00:06:45,873 --> 00:06:47,575 YOUR MOM SAID. 78 00:06:51,344 --> 00:06:54,014 - ( silverware clanks ) - SO YOU DIDN'T ANSWER MIKE'S QUESTION. 79 00:06:54,114 --> 00:06:56,383 ARE YOU EXCITED ABOUT GOING TO COLLEGE? 80 00:06:56,484 --> 00:06:57,718 I WANT TO STAY IN HIGH SCHOOL. 81 00:06:57,818 --> 00:06:59,787 I LIKE MY SCIENCE TEACHER. 82 00:06:59,887 --> 00:07:02,355 DR. CARLOCK'S VERY SMART AND HE'S BEEN TO COLLEGE. 83 00:07:02,456 --> 00:07:05,493 SO I DON'T UNDERSTAND WHY I HAVE TO MOVE TO LEARN WHAT HE PROBABLY ALREADY KNOWS. 84 00:07:05,593 --> 00:07:07,761 ( crickets chirping ) 85 00:07:13,000 --> 00:07:15,135 THE DESERT SPOONS AND TEASPOONS GO IN DIFFERENT SECTIONS. 86 00:07:15,235 --> 00:07:17,137 I DID THAT. 87 00:07:19,707 --> 00:07:21,441 YOU KNOW, YOUR UNCLE CAN'T TELL THEM APART. 88 00:07:21,542 --> 00:07:23,877 AND SOMETIMES I CAN'T EITHER. 89 00:07:26,413 --> 00:07:29,349 THEY'RE DIFFERENT. 90 00:07:29,449 --> 00:07:31,351 YES, THEY ARE. 91 00:07:31,451 --> 00:07:33,754 ( sighs ) I THINK IT'S TIME FOR BED, YOUNG LADY. 92 00:07:33,854 --> 00:07:36,223 WE GET UP WITH THE ROOSTER AROUND HERE. 93 00:07:36,323 --> 00:07:38,992 ( all crow loudly ) 94 00:07:49,036 --> 00:07:52,840 - YOU GOT EVERYTHING? - THIS IS MY ROOM. 95 00:07:54,975 --> 00:07:56,243 YES, IT IS. 96 00:07:56,343 --> 00:07:58,712 - SO GOOD NIGHT. - I DON'T WANT YOU TO DO THAT. 97 00:07:58,812 --> 00:08:00,313 I'M SORRY. I FORGOT-- 98 00:08:00,413 --> 00:08:02,015 NO HUGS. 99 00:08:04,017 --> 00:08:06,019 GOOD NIGHT THEN. 100 00:08:08,321 --> 00:08:10,924 ( door shuts ) 101 00:08:34,347 --> 00:08:36,183 ( vent latch clacks ) 102 00:08:47,561 --> 00:08:51,031 - ( phone rings ) - ( steam hisses ) 103 00:08:51,131 --> 00:08:52,099 HELLO? 104 00:08:52,199 --> 00:08:53,166 Ann: Did I wake you? 105 00:08:53,266 --> 00:08:54,301 OF COURSE NOT. 106 00:08:54,401 --> 00:08:57,270 - Man: WHO IS IT? - IT'S ANN! 107 00:08:57,370 --> 00:09:00,540 GUESS WHAT I FOUND BALLED UP IN THE BOTTOM OF TEMPLE'S CLOSET? 108 00:09:00,641 --> 00:09:03,476 A LOVELY SUMMER FROCK SHE DIDN'T WANT? 109 00:09:03,577 --> 00:09:05,512 IT'S TAKEN ME AN AGE TO IRON IT. 110 00:09:05,613 --> 00:09:06,914 I'LL MAIL IT IN THE MORNING. 111 00:09:07,014 --> 00:09:08,548 If you couldn't get her to pack it, 112 00:09:08,649 --> 00:09:09,983 I'm not sure I can get her to wear it. 113 00:09:10,083 --> 00:09:12,285 THE OTHER ONE CAME OFF THE MINUTE SHE ARRIVED. 114 00:09:12,385 --> 00:09:14,087 HOW IS SHE? 115 00:09:14,187 --> 00:09:16,857 SHE'S GOOD. 116 00:09:16,957 --> 00:09:18,626 TELL ME. 117 00:09:18,726 --> 00:09:20,894 ( sigh ) SHE, UH-- 118 00:09:20,994 --> 00:09:23,964 SHE GOT TENSE WHEN MIKE MENTIONED COLLEGE, 119 00:09:24,064 --> 00:09:25,699 BUT-- NO, BUT THEN SHE CALMED DOWN 120 00:09:25,799 --> 00:09:28,035 AND SHE WENT OFF TO BED JUST FINE. 121 00:09:28,135 --> 00:09:29,770 STOP WORRYING. 122 00:09:29,870 --> 00:09:31,639 TEMPLE'S MY JOB FOR THE SUMMER. 123 00:09:31,739 --> 00:09:33,506 WORRY ABOUT THE OTHERS. 124 00:09:33,607 --> 00:09:35,609 I'M SURE SHE'S GONNA HAVE A GREAT TIME. 125 00:09:35,709 --> 00:09:37,611 YOU DO REMEMBER, THOUGH, 126 00:09:37,711 --> 00:09:40,714 SOMETHING'S GONNA SET HER OFF. 127 00:09:42,482 --> 00:09:44,151 ( birds chirping ) 128 00:09:44,251 --> 00:09:49,022 - ( men shouting ) - ( cattle mooing ) 129 00:09:49,122 --> 00:09:51,124 - Ann: TEMPLE? - ( gate creaking ) 130 00:09:51,224 --> 00:09:53,360 TEMPLE! 131 00:09:56,529 --> 00:10:00,200 TEMPLE, I COULD REALLY USE A HAND HERE! 132 00:10:07,908 --> 00:10:10,410 SO ANY IDEA WHAT YOUR MAJOR MIGHT BE? 133 00:10:10,510 --> 00:10:13,613 SCIENCE-- PROBABLY PSYCHOLOGY. 134 00:10:13,714 --> 00:10:15,749 - ( rooster crowing ) - ( horse whickering ) 135 00:10:15,849 --> 00:10:17,718 WELL, YOU DON'T HAVE TO DECIDE JUST YET, DO YOU? 136 00:10:17,818 --> 00:10:19,619 IT'S BETTER THAN BOARDING SCHOOL. 137 00:10:19,720 --> 00:10:20,988 - ( rooster crowing ) - THAT'S GREAT. 138 00:10:21,088 --> 00:10:23,623 - LOTS OF CHOICES. - DANNY'S LOOKING AT YOU. 139 00:10:23,724 --> 00:10:26,760 HE CAN SEE ALL AROUND WITHOUT MOVING HIS HEAD. 140 00:10:26,860 --> 00:10:29,096 - SO HOW DO YOU KNOW WHERE HE'S LOOKING? - HIS EARS. 141 00:10:29,196 --> 00:10:31,498 HE POINTS HIS EARS WHERE HE'S LOOKING. 142 00:10:31,598 --> 00:10:33,701 SEE? HE'S LOOKIN' AT YOU. 143 00:10:33,801 --> 00:10:35,936 AND HE'S LOOKIN' AT THOSE COWBOYS. 144 00:10:36,036 --> 00:10:38,638 SEE? NOW I GOT HIS ATTENTION. 145 00:10:38,739 --> 00:10:41,274 NOW HE'S LOOKING AT ME. ( laughs ) 146 00:10:41,374 --> 00:10:42,843 YOU'RE RIGHT. 147 00:10:42,943 --> 00:10:44,411 - ( loud banging ) - HOW'D YOU FIGURE THAT OUT? 148 00:10:44,511 --> 00:10:48,081 - ( cow mooing ) - THERE YOU GO! 149 00:10:48,181 --> 00:10:49,783 WHAT ARE THEY DOING? 150 00:10:49,883 --> 00:10:53,020 - ( cattle mooing ) - ( men yelling, whistling ) 151 00:11:04,431 --> 00:11:06,700 Temple: WHAT IS THIS THING? 152 00:11:06,800 --> 00:11:10,503 IT HOLDS HER STILL SO BILLY CAN INOCULATE HER. 153 00:11:10,603 --> 00:11:13,974 - ( cow mooing ) - ( whistling ) 154 00:11:25,853 --> 00:11:28,021 ( cow whickering calmly ) 155 00:11:33,526 --> 00:11:36,663 WHAT HAPPENED TO IT? IT CALMED DOWN. 156 00:11:36,764 --> 00:11:40,433 THEY JUST LIKE IT. IT GENTLES 'EM. 157 00:11:41,869 --> 00:11:44,004 ( gate creaking ) 158 00:12:03,423 --> 00:12:05,759 ( cows mooing ) 159 00:12:36,289 --> 00:12:38,458 Billy: STAND STILL AND THEY'LL COME TO YOU. 160 00:12:38,558 --> 00:12:41,028 WON'T HARM YOU. JUST CURIOUS. 161 00:12:41,128 --> 00:12:43,997 CAN'T HELP THEMSELVES. 162 00:13:12,425 --> 00:13:15,095 ( heart beating ) 163 00:13:18,231 --> 00:13:20,367 ( moos ) 164 00:13:20,467 --> 00:13:21,869 ( chuckles ) 165 00:13:24,404 --> 00:13:26,439 Ann: ARE YOU WORRIED ABOUT KEEPING UP WITH THE OTHER STUDENTS? 166 00:13:26,539 --> 00:13:28,775 NO. I'M NOT STUPID. 167 00:13:28,876 --> 00:13:30,310 I DIDN'T SAY YOU WERE. 168 00:13:30,410 --> 00:13:32,479 - IS IT MOVING AWAY FROM HOME? - HOLD IT STRAIGHTER. 169 00:13:32,579 --> 00:13:37,550 - ( cow moos ) - WHY DON'T YOU WANT TO GO TO COLLEGE? 170 00:13:40,353 --> 00:13:41,989 PEOPLE. 171 00:13:42,089 --> 00:13:44,557 I DON'T UNDERSTAND PEOPLE. 172 00:13:44,657 --> 00:13:46,259 AT LEAST THE PEOPLE AT SCHOOL KNOW I DON'T UNDERSTAND THEM 173 00:13:46,359 --> 00:13:47,995 AND SOME OF THEM ARE MY FRIENDS ANYWAY. 174 00:13:48,095 --> 00:13:50,230 WHAT DON'T YOU UNDERSTAND? 175 00:13:50,330 --> 00:13:53,133 GIRLS GET ALL GOOFY OVER BOYS. 176 00:13:53,233 --> 00:13:54,734 ( all shriek ) 177 00:13:54,834 --> 00:13:57,370 THEY TALK ABOUT SILLY POP GROUPS AND CLOTHES AND SAY THINGS LIKE, 178 00:13:57,470 --> 00:13:59,739 "WHY ARE YOU SO GRUMPY?" WHEN I'M HAPPY. 179 00:13:59,839 --> 00:14:02,342 AND I SAY, "I'M HAPPY." AND THEY SAY, "WELL, YOU DON'T LOOK HAPPY." 180 00:14:02,442 --> 00:14:04,744 AND I SAY, "WELL, CAN'T YOU SEE I'M THINKING? 181 00:14:04,844 --> 00:14:06,413 AND CAN'T YOU SEE I'M SAD?" 182 00:14:06,513 --> 00:14:09,382 AND I DON'T KNOW WHAT THEY'RE TALKING ABOUT. 183 00:14:09,482 --> 00:14:11,084 ( drill clanks ) 184 00:14:11,184 --> 00:14:15,155 - WHAT DO YOU LOOK LIKE WHEN YOU'RE HAPPY? - LIKE THIS. 185 00:14:15,255 --> 00:14:17,457 - ( cow moos ) - NO. THAT'S NOT WHAT YOU LOOKED LIKE 186 00:14:17,557 --> 00:14:19,326 WHEN YOU WERE TELLING ME ABOUT "THE MAN FROM U.N.C.L.E." 187 00:14:19,426 --> 00:14:22,829 YOU LOOKED LIKE THIS-- ( goofy laughter ) 188 00:14:22,930 --> 00:14:25,465 ( giggling ) 189 00:14:25,565 --> 00:14:28,101 THAT'S FUNNY LOOKIN'. 190 00:14:28,201 --> 00:14:29,569 - ( camera snapping ) - Ann: HAPPY. 191 00:14:29,669 --> 00:14:32,105 AND THAT'S YOU ANGRY. 192 00:14:37,544 --> 00:14:38,678 ANGRY. 193 00:14:38,778 --> 00:14:42,015 - ( cows mooing ) - HAPPY. 194 00:14:42,115 --> 00:14:43,816 I'M HAPPY IN THAT ONE. 195 00:14:43,917 --> 00:14:47,287 I'D SAY MORE SATISFIED. 196 00:14:48,488 --> 00:14:50,523 SATISFIED. 197 00:15:17,084 --> 00:15:20,620 Ann: MARIA, CAN YOU GIVE ME A HAND HERE? 198 00:15:24,891 --> 00:15:27,260 - ( cows mooing ) - ( birds chirping ) 199 00:15:32,165 --> 00:15:33,700 ( gate shuts ) 200 00:15:38,138 --> 00:15:40,940 ( rapid heartbeat ) 201 00:15:43,510 --> 00:15:45,345 ( gasping ) 202 00:16:01,528 --> 00:16:04,031 ( whirring intensely, blades clacking ) 203 00:16:08,601 --> 00:16:10,470 ( crying, shrieking ) 204 00:16:10,570 --> 00:16:12,872 ( object clatters ) 205 00:16:12,972 --> 00:16:15,375 - ( door bangs loudly ) - TEMPLE! 206 00:16:15,475 --> 00:16:17,710 TEMPLE! 207 00:16:17,810 --> 00:16:19,579 - ( shrieking ) - ( cows bellow ) 208 00:16:32,325 --> 00:16:34,394 ( wavering ) CLOSE IT ON ME. 209 00:16:34,494 --> 00:16:37,197 - TEMPLE, LET'S GET YOU OUT OF-- - CLOSE IT ON ME! 210 00:16:37,297 --> 00:16:41,168 - DON'T BE SILLY! - PLEASE! 211 00:16:50,977 --> 00:16:53,180 CLOSE THE SIDES. CLOSE THE SIDES. 212 00:16:54,881 --> 00:16:57,016 PLEASE! 213 00:16:58,551 --> 00:17:00,253 ( restraint creaking ) 214 00:17:02,155 --> 00:17:04,491 HARDER! MORE! 215 00:17:06,626 --> 00:17:09,329 ( relaxed gasping ) 216 00:17:56,743 --> 00:17:58,245 ( chuckles ) 217 00:18:15,795 --> 00:18:18,298 DID YOU SEE TEMPLE'S HANDIWORK AT THE GATE? 218 00:18:18,398 --> 00:18:19,799 ISN'T THAT THE DARNDEST THING? 219 00:18:19,899 --> 00:18:23,903 - AW. - HI. 220 00:18:24,003 --> 00:18:26,005 - OH. - HI, DARLIN'. 221 00:18:26,105 --> 00:18:28,275 ALL THESE YEARS ANN'S BEEN BUGGING ME. 222 00:18:28,375 --> 00:18:30,177 LIKE I COULD EVER COME UP WITH THAT! 223 00:18:30,277 --> 00:18:32,412 ( restraint pen banging ) 224 00:18:36,749 --> 00:18:38,851 IS THAT IT? 225 00:18:38,951 --> 00:18:42,355 - IS THAT WHAT TEMPLE'S BEEN USING? - YES, IT IS. 226 00:18:42,455 --> 00:18:46,993 I KNOW, IT LOOKS HORRIBLE, BUT IT HELPS HER. 227 00:18:47,093 --> 00:18:48,661 ( cow mooing ) 228 00:18:51,998 --> 00:18:53,533 I-I'LL GO FIND TEMPLE. 229 00:18:54,167 --> 00:18:55,202 TEMPLE! 230 00:18:55,302 --> 00:18:58,271 ( window whirrs ) 231 00:19:00,173 --> 00:19:01,708 THAT'S MINE. THAT'S TEMPLE'S. 232 00:19:01,808 --> 00:19:03,676 SHE'S HAD A GREAT SUMMER. 233 00:19:03,776 --> 00:19:05,412 YOU WON'T BELIEVE THE THINGS SHE'S FIXED. 234 00:19:05,512 --> 00:19:06,479 SHE'S WONDERFUL WITH THE CATTLE. 235 00:19:06,579 --> 00:19:08,681 YEAH. I-- I APPRECIATE THAT. 236 00:19:08,781 --> 00:19:12,018 I SHOULD WARN YOU, SHE HAS HER MIND SET ON STAYING. 237 00:19:12,118 --> 00:19:13,920 THAT'S NOT AN OPTION. 238 00:19:17,490 --> 00:19:20,460 ANN. 239 00:19:20,560 --> 00:19:23,430 I'M SORRY. I DIDN'T MEAN TO ATTACK YOU, 240 00:19:23,530 --> 00:19:26,199 ESPECIALLY WHEN YOU'VE BEEN SO GENEROUS ALL SUMMER. 241 00:19:26,299 --> 00:19:28,701 TEMPLE? TEMPLE? 242 00:19:32,004 --> 00:19:33,206 TEMPLE. 243 00:19:33,306 --> 00:19:36,443 - TEMPLE! - ( murmurs ) 244 00:19:53,693 --> 00:19:56,229 HOW WAS YOUR TRIP, MOTHER? YOU MADE GOOD TIME. 245 00:19:57,697 --> 00:20:01,468 IT WAS LONG. THANK YOU FOR ASKING. 246 00:20:03,069 --> 00:20:04,971 YOU READY FOR COLLEGE? 247 00:20:05,071 --> 00:20:07,840 ( cow mooing ) 248 00:20:07,940 --> 00:20:09,576 I THINK I'D RATHER STAY HERE. 249 00:20:11,478 --> 00:20:13,145 WE'VE TALKED ABOUT THIS. 250 00:20:13,246 --> 00:20:15,982 SWEETHEART, YOU'RE GONNA BE FINE. 251 00:20:18,017 --> 00:20:19,919 NO ONE EXPECTED IT. 252 00:20:20,019 --> 00:20:21,888 IT'S NOTHIN' SHORT OF A MIRACLE. 253 00:20:24,391 --> 00:20:25,992 IT'S A MIRACLE! 254 00:20:26,092 --> 00:20:29,296 ( chimes clanging ) 255 00:20:36,135 --> 00:20:38,004 ( horse whinnies ) 256 00:20:41,874 --> 00:20:44,577 TEMPLE, THIS WAY. 257 00:20:55,588 --> 00:20:58,625 - CAN I GET THAT FOR YOU? - THANK YOU. 258 00:21:00,927 --> 00:21:03,630 - * In a young girl's heart... * - ( girls giggling ) 259 00:21:03,730 --> 00:21:06,299 * A chance to be free whenever it starts * 260 00:21:06,399 --> 00:21:09,969 * And it's magic if the music is groovy * 261 00:21:10,069 --> 00:21:13,406 * It makes you feel happy like an old-time movie * 262 00:21:13,506 --> 00:21:15,107 * Believe in the magic... 263 00:21:15,207 --> 00:21:17,377 - ( playing off-key ) - OHH! 264 00:21:22,382 --> 00:21:25,418 224. THIS IS YOU. 265 00:21:33,760 --> 00:21:35,862 - I DON'T HAVE A ROOMMATE. - NO NO NO. 266 00:21:35,962 --> 00:21:38,665 YOUR ROOMMATE IS COMING IN ANOTHER COUPLE OF WEEKS. 267 00:21:38,765 --> 00:21:40,533 REMEMBER? 268 00:21:40,633 --> 00:21:43,202 EVERYONE ELSE HAS A ROOMMATE! 269 00:21:43,302 --> 00:21:47,674 WELL THEN, WHY DON'T YOU JUST THINK OF IT AS A CHANCE TO SETTLE IN, SWEETHEART? 270 00:21:49,409 --> 00:21:51,277 - THEN I'LL GO BACK HOME! - TEMPLE. 271 00:21:51,378 --> 00:21:54,246 I KNOW THAT THIS IS STRANGE AND NEW, 272 00:21:54,347 --> 00:21:56,215 BUT YOU'RE GOING TO BE ALL RIGHT. 273 00:21:56,315 --> 00:21:57,484 I DON'T WANT TO STAY HERE! 274 00:21:57,584 --> 00:22:00,186 TRY AND STAY CALM. 275 00:22:00,286 --> 00:22:02,088 IT'S ALL RIGHT. 276 00:22:02,188 --> 00:22:03,890 TRY AND CALM DOWN, ALL RIGHT? 277 00:22:03,990 --> 00:22:06,959 I'M GOING TO GIVE YOU A MOMENT TO YOURSELF. 278 00:22:14,434 --> 00:22:17,937 ( child screaming ) 279 00:22:19,972 --> 00:22:21,841 - WHAT'S WRONG? - IS SHE ALL RIGHT? 280 00:22:21,941 --> 00:22:24,411 Man's voice: INTERESTED IN PLAYING WITH OTHER CHILDREN? 281 00:22:24,511 --> 00:22:26,379 NO, NOT REALLY. 282 00:22:26,479 --> 00:22:29,215 PLAYS WITH TOYS, DOLLS? 283 00:22:29,315 --> 00:22:31,150 Eustacia: SHE LOVES TO RIP THINGS. 284 00:22:31,250 --> 00:22:33,920 AND NO SPEECH YET AT THE AGE OF? 285 00:22:34,020 --> 00:22:35,955 FOUR. 286 00:22:36,055 --> 00:22:37,890 SHE'S FOUR. 287 00:22:37,990 --> 00:22:40,827 NO, NOT YET. 288 00:22:43,563 --> 00:22:45,798 I'M SURE IT'S JUST A PHASE, BUT, UH-- 289 00:22:45,898 --> 00:22:48,935 YOUR CHILD IS CLEARLY AUTISTIC. 290 00:22:50,803 --> 00:22:52,204 AUTISTIC. 291 00:22:52,304 --> 00:22:55,608 - I'M NOT FAMILIAR-- - SHE'S AN INFANTILE SCHIZOPHRENIC. 292 00:22:58,010 --> 00:22:59,712 LE? INFANT 293 00:22:59,812 --> 00:23:04,183 UM, SO-- SO WHEN WOULD SHE GROW OUT OF IT? 294 00:23:04,283 --> 00:23:06,619 I MEAN, WHAT'S THE NEXT STEP FOR-- 295 00:23:06,719 --> 00:23:09,155 WE GENERALLY RECOMMEND AN INSTITUTION. 296 00:23:09,255 --> 00:23:11,357 OH. FOR HOW LONG? 297 00:23:11,458 --> 00:23:12,992 I'M NOT SURE I WOULD LIKE THAT. I REALLY-- 298 00:23:13,092 --> 00:23:15,227 I-- I WOULDN'T WANT TO MISS HER FIRST WORDS. 299 00:23:15,327 --> 00:23:17,830 SHE PROBABLY WILL NEVER SPEAK. 300 00:23:17,930 --> 00:23:21,333 AND I'M AFRAID THERE IS NO COURSE OF TREATMENT. 301 00:23:21,434 --> 00:23:24,403 I'M TALKING ABOUT INSTITUTIONALIZATION. 302 00:23:27,440 --> 00:23:30,910 BUT, UM-- 303 00:23:31,010 --> 00:23:34,213 I MEAN, SHE-- SHE WAS A PERFECTLY NORMAL BABY 304 00:23:34,313 --> 00:23:36,082 AND THEN LATER SHE CHANGED. 305 00:23:36,182 --> 00:23:39,819 SO I NEED TO KNOW HOW, WHY. 306 00:23:39,919 --> 00:23:41,420 ( sigh ) I'M NOT SURE YOU'D UN-- 307 00:23:41,521 --> 00:23:43,389 PERHAPS IF YOU HAD YOUR HUSBAND CALL ME. 308 00:23:43,490 --> 00:23:46,559 MY HUSBAND IS A VERY BUSY MAN AND I GRADUATED FROM HARVARD, 309 00:23:46,659 --> 00:23:50,296 - SO WHY DON'T YOU TRY ME? - I'M SORRY. 310 00:23:50,396 --> 00:23:52,832 ( sigh ) 311 00:23:52,932 --> 00:23:55,134 IT'S BEEN SUGGESTED THAT IT MAY BE 312 00:23:55,234 --> 00:23:57,403 A LACK OF BONDING WITH THE MOTHER-- 313 00:23:57,504 --> 00:24:01,941 THAT AT A CRUCIAL PHASE, THE MOTHER WAS COLD, ALOOF, 314 00:24:02,041 --> 00:24:04,811 WHEN THE CHILD MOST NEEDED PHYSICAL AFFECTION. 315 00:24:04,911 --> 00:24:06,979 BUT THAT IS NOT WHAT HAPPENED. 316 00:24:07,079 --> 00:24:09,381 WE HAVE ANOTHER CHILD AND SHE IS NOT LIKE THIS 317 00:24:09,482 --> 00:24:11,283 AND I DID NOT DO ANYTHING DIFFERENT. 318 00:24:11,383 --> 00:24:13,686 TEMPLE REJECTS ME. 319 00:24:13,786 --> 00:24:16,088 I-- I WANT TO HUG HER AND SHE WON'T LET ME. 320 00:24:16,188 --> 00:24:18,791 I'M SUPPOSED TO HAVE DONE THIS. WELL, THEN I CAN UNDO IT. 321 00:24:18,891 --> 00:24:20,860 YOU JUST TELL ME WHAT TO DO. 322 00:24:20,960 --> 00:24:22,361 - ( sand hissing ) - Doctor: AS I SAID, 323 00:24:22,461 --> 00:24:24,063 I RECOMMEND INSTITUTIONALIZATION. 324 00:24:24,163 --> 00:24:27,500 HERE IS A LIST OF FACILITIES THAT WE RECOMMEND. 325 00:24:28,868 --> 00:24:30,302 DAH-OG. 326 00:24:30,402 --> 00:24:33,339 DAH-OG. 327 00:24:33,439 --> 00:24:34,340 TEMPLE. 328 00:24:34,440 --> 00:24:35,441 DOG. 329 00:24:35,542 --> 00:24:38,177 ( chandelier clinking ) 330 00:24:41,280 --> 00:24:42,414 TEMPLE. 331 00:24:42,515 --> 00:24:45,117 CAH-AT. 332 00:24:45,217 --> 00:24:46,986 CAT. 333 00:24:47,086 --> 00:24:49,722 TEMPLE, TRY. 334 00:24:51,023 --> 00:24:54,761 MAH-ME. 335 00:24:55,895 --> 00:24:57,496 MOM-- 336 00:24:59,498 --> 00:25:01,400 I KNOW YOU CAN HEAR ME. 337 00:25:01,500 --> 00:25:04,436 ( chandelier clinking ) 338 00:25:04,537 --> 00:25:06,906 ALL RIGHT. 339 00:25:07,006 --> 00:25:10,610 I THINK MOMMY NEEDS A FIVE-MINUTE BREAK. 340 00:25:34,901 --> 00:25:36,435 OKAY. 341 00:25:36,535 --> 00:25:39,639 OKAY. 342 00:25:42,208 --> 00:25:47,279 - ( bell ringing ) - ( students chatting ) 343 00:25:48,314 --> 00:25:50,516 ( tapping on podium ) 344 00:25:50,617 --> 00:25:53,920 AVEZ-VOUS LU LA PAGE, MILE GRANDIN? 345 00:25:54,020 --> 00:25:56,589 NO. I DON'T WANT TO STUDY FRENCH. 346 00:25:56,689 --> 00:25:58,591 I WANT TO LEARN SCIENCE. 347 00:25:58,691 --> 00:26:00,392 ( classmates chuckle ) 348 00:26:00,492 --> 00:26:04,030 READ THE PAGE, PLEASE. 349 00:26:06,432 --> 00:26:08,200 READ IT. 350 00:26:10,637 --> 00:26:12,204 ( footsteps ) 351 00:26:15,241 --> 00:26:16,909 AND WHAT DID IT SAY? 352 00:26:19,979 --> 00:26:24,350 "JEAN-PAUL SARTRE NAIT LE 21 JUIN 1905, A PARIS; 353 00:26:24,450 --> 00:26:27,586 FILS UNIQUE, IL VIENT D'UNE FAMILLE BOURGEOISE: 354 00:26:27,687 --> 00:26:30,156 - SON PERE EST POLYTECHNI"-- - YOU-- 355 00:26:30,256 --> 00:26:32,591 YOU LEARNED IT? 356 00:26:32,692 --> 00:26:35,027 I JUST LOOKED AT IT. 357 00:26:35,127 --> 00:26:37,864 THEN I HAVE THE PAGE IN MY MIND AND CAN READ OFF THE PAGE. 358 00:26:37,964 --> 00:26:40,366 I SEE PICTURES AND CONNECT THEM. 359 00:26:42,769 --> 00:26:45,337 ( student coughs ) 360 00:26:52,912 --> 00:26:55,014 ( photos snapping ) 361 00:27:02,454 --> 00:27:05,291 ( students clamoring ) 362 00:27:17,069 --> 00:27:19,205 I-- I ONLY EAT JELL-O AND YOGURT. 363 00:27:19,305 --> 00:27:22,641 I-I ONLY-- I ONLY EAT JELL-O AND YOGURT! 364 00:27:41,593 --> 00:27:43,395 - ( tray clatters ) - ( students laugh ) 365 00:28:26,472 --> 00:28:28,908 ( sighs ) 366 00:28:31,543 --> 00:28:33,846 ( footsteps in hallway ) 367 00:28:42,822 --> 00:28:44,757 EXCUSE ME? 368 00:28:44,857 --> 00:28:47,226 I'M YOUR ROOMMATE. 369 00:28:47,326 --> 00:28:49,528 WHAT ARE YOU DOING? 370 00:28:49,628 --> 00:28:51,663 IT'S A MACHINE I JUST MADE. 371 00:28:51,764 --> 00:28:53,565 IT FEELS LIKE A HUG. DO YOU WANT A HUG? 372 00:28:53,665 --> 00:28:55,902 IT FEELS REALLY GOOD. 373 00:28:58,304 --> 00:29:00,840 ( footsteps running down hallway ) 374 00:29:02,641 --> 00:29:04,844 SO WHEN YOU GOT IN YOUR MACHINE, 375 00:29:04,944 --> 00:29:07,146 DID IT MAKE YOU FEEL LIKE A COW? 376 00:29:09,515 --> 00:29:11,918 NO, I DIDN'T FEEL LIKE A COW. 377 00:29:12,018 --> 00:29:14,120 BUT IT GAVE YOU PLEASURE. 378 00:29:14,220 --> 00:29:17,289 IT MADE ME FEEL GOOD, GENTLE. 379 00:29:17,389 --> 00:29:20,993 - THE HUG MADE YOU FEEL GOOD. - YES. 380 00:29:21,093 --> 00:29:22,561 BUT YOU DON'T LIKE TO BE TOUCHED BY PEOPLE. 381 00:29:22,661 --> 00:29:23,830 NO. 382 00:29:27,099 --> 00:29:28,968 DO YOU LIKE TO TOUCH YOURSELF? 383 00:29:32,538 --> 00:29:34,140 TOUCHIN' MYSELF'S OKAY. 384 00:29:34,240 --> 00:29:36,809 BUT WHEN THE SQUEEZE MACHINE TOUCHES YOU, 385 00:29:36,909 --> 00:29:39,545 - IT FEELS BETTER? - YES. 386 00:29:39,645 --> 00:29:41,948 IT GIVES YOU RELEASE? 387 00:29:45,017 --> 00:29:46,886 YES, THERE IS RELEASE. 388 00:29:46,986 --> 00:29:50,256 ( pen scratching ) 389 00:29:52,458 --> 00:29:53,926 BUT I NEED IT! 390 00:29:54,026 --> 00:29:57,596 - I BUILT IT! IT'S MINE! - WHAT'S ALL THE NOISE? 391 00:29:57,696 --> 00:30:01,033 - WAIT! STOP IT! - PERVERT. 392 00:30:01,133 --> 00:30:02,534 - Man: GOT IT? - Man £2: YEAH, I GOT IT. 393 00:30:02,634 --> 00:30:04,203 OKAY. 394 00:30:15,581 --> 00:30:19,886 - ( clock chiming faintly ) - ( snoring softly ) 395 00:30:24,656 --> 00:30:26,592 23 HOURS, 396 00:30:26,692 --> 00:30:29,628 59 MINUTES AND FOUR, 397 00:30:29,728 --> 00:30:34,333 THREE, TWO, ONE, ZERO HOURS, MR. SOLO! 398 00:30:58,124 --> 00:31:01,928 Guard: HEY! WHAT ARE YOU DOING? 399 00:31:02,028 --> 00:31:05,631 STOP! I SAID STOP! 400 00:31:23,815 --> 00:31:25,584 ( wood smashing ) 401 00:31:29,355 --> 00:31:32,124 ( loud crash ) 402 00:31:38,264 --> 00:31:41,100 SHE SAYS SHE'S NOT GOING BACK AFTER SPRING BREAK 403 00:31:41,200 --> 00:31:42,534 UNLESS SHE CAN TAKE IT WITH HER. 404 00:31:42,634 --> 00:31:45,871 ( men whistling ) 405 00:31:45,972 --> 00:31:48,307 - ARE YOU STILL THERE? - YES. 406 00:31:48,407 --> 00:31:50,009 AND I REALLY DON'T THINK IT'S A GOOD IDEA. 407 00:31:50,109 --> 00:31:52,511 - ( hammering ) - IT WORKS FOR HER. 408 00:31:52,611 --> 00:31:55,347 IT'S EVERYTHING WE'VE BEEN STRUGGLING TO GET AWAY FROM. 409 00:31:55,447 --> 00:31:58,985 THEY WERE PERFECTLY CLEAR: NO DEVICES IN HER ROOM. 410 00:31:59,085 --> 00:32:00,319 COULD THERE BE A BETTER WAY 411 00:32:00,419 --> 00:32:02,989 TO MARK HER AS A WEIRDO AND AN ODDBALL? 412 00:32:03,089 --> 00:32:06,858 JUST LET US TRY, OKAY? 413 00:32:06,959 --> 00:32:08,294 ( rooster crowing ) 414 00:32:08,394 --> 00:32:10,696 SO THAT'S IT. 415 00:32:14,500 --> 00:32:17,169 OKAY! 416 00:32:23,609 --> 00:32:26,012 ( cows mooing ) 417 00:32:33,052 --> 00:32:34,753 ( thunder crashes ) 418 00:32:34,853 --> 00:32:36,455 Temple: IT MAKES ME GENTLE. 419 00:32:36,555 --> 00:32:38,357 Ann: SHE'S A DIFFERENT PERSON AFTER JUST 15 MINUTES. 420 00:32:38,457 --> 00:32:40,659 - ( pen clicking ) - A DIFFERENT PERSON? HOW CAN YOU EXPLAIN THAT? 421 00:32:40,759 --> 00:32:44,263 I CAN'T EXPLAIN WHY THE MACHINE WORKS, BUT I KNOW IT'S NOT SEXUAL. 422 00:32:44,363 --> 00:32:46,132 AS TEMPLE SAYS, IT CALMS HER. 423 00:32:46,232 --> 00:32:47,699 LOOK, ALL THIS DOES IS TO CONVINCE ME 424 00:32:47,799 --> 00:32:49,768 THAT WE'RE NOT EQUIPPED TO DEAL WITH MS. GRANDIN'S NEEDS. 425 00:32:49,868 --> 00:32:51,803 IT MAKES HER A BETTER STUDENT. 426 00:32:51,903 --> 00:32:53,672 SHE'S ABLE TO CONCENTRATE, TO INTERACT WITH OTHERS MORE EASILY. 427 00:32:53,772 --> 00:32:55,474 THIS ISN'T VERY SCIENTIFIC. 428 00:32:55,574 --> 00:32:58,144 - THERE IS NO EMPIRICAL EVIDENCE-- - I CAN DO AN EXPERIMENT. 429 00:32:58,244 --> 00:33:00,379 I CAN-- I CAN SEE HOW IT WORKS ON OTHER PEOPLE. 430 00:33:00,479 --> 00:33:03,282 I CAN MEASURE HEART RATES. I-- I THINK IT'LL WORK ON EVERYONE. 431 00:33:06,752 --> 00:33:08,720 LET'S TALK FRANKLY. 432 00:33:08,820 --> 00:33:12,458 I'M NOT SURE YOU CAN GET ANYTHING FROM BEING AT FRANKLIN PIERCE. 433 00:33:12,558 --> 00:33:15,327 LISTEN TO WHAT SHE'S SAYING. SHE WANTS TO DO HER OWN SCIENCE EXPERIMENT, 434 00:33:15,427 --> 00:33:17,829 SOMETHING THAT YOU CAN EVALUATE IN HER PSYCHOLOGY COURSE. 435 00:33:17,929 --> 00:33:20,932 I HAVE A PEN AND A CLIPBOARD. 436 00:33:21,033 --> 00:33:24,303 ( clicking pen ) 437 00:33:28,540 --> 00:33:30,242 TIME. 438 00:33:30,342 --> 00:33:33,445 DO YOU FEEL: A, CLAUSTROPHOBIC; 439 00:33:33,545 --> 00:33:35,814 B, CONSTRICTED; 440 00:33:35,914 --> 00:33:37,849 C, NO DIFFERENT; 441 00:33:37,949 --> 00:33:40,452 D, COMFORTABLE; 442 00:33:40,552 --> 00:33:42,054 E, RELAXED? 443 00:33:42,154 --> 00:33:44,523 WHAT WAS THE ONE BEFORE LAST? 444 00:33:44,623 --> 00:33:46,192 D, COMFORTABLE. 445 00:33:46,292 --> 00:33:48,227 YES, I'M QUITE COMFORTABLE. 446 00:33:48,327 --> 00:33:50,096 - ( retractable pen clicks ) - OKAY. 447 00:33:53,065 --> 00:33:55,467 NO DIFFERENT. 448 00:33:55,567 --> 00:33:59,271 A, CLAUSTROPHOBIC! 449 00:33:59,371 --> 00:34:02,708 I GUESS I FEEL RELAXED? 450 00:34:05,111 --> 00:34:07,479 VERY RELAXED. 451 00:34:16,222 --> 00:34:18,590 ( typewriter clacking ) 452 00:34:21,893 --> 00:34:25,164 ( bell rings ) 453 00:34:34,606 --> 00:34:36,742 ( bell rings ) 454 00:34:36,842 --> 00:34:39,578 ( chimes ringing ) 455 00:34:39,678 --> 00:34:42,314 ( students laughing ) 456 00:34:43,415 --> 00:34:45,384 Boy: "F" FOR "FREAK." 457 00:34:45,484 --> 00:34:47,153 HELLO? HAMPSHIRE COUNTRY SCHOOL? 458 00:34:47,253 --> 00:34:49,155 I NEED TO SPEAK TO DR. CARLOCK! 459 00:34:49,255 --> 00:34:51,423 Receptionist: Dr. Carlock? Yes. Please hold. 460 00:34:54,826 --> 00:34:57,229 * IF I HAD A BELL 461 00:34:57,329 --> 00:35:00,266 * I'D RING IT IN THE MORNING * 462 00:35:00,366 --> 00:35:03,068 * I'D RING IT IN THE EVENING * 463 00:35:03,169 --> 00:35:05,036 * ALL OVER THIS LAND 464 00:35:05,137 --> 00:35:07,873 * I'D RING OUT DANGER 465 00:35:07,973 --> 00:35:09,975 - * I'D RING OUT WARNING... - PIGGY PIGGY PIGGY. 466 00:35:10,075 --> 00:35:15,046 * I'D RING OUT LOVE BETWEEN MY BROTHERS AND SISTERS * 467 00:35:15,147 --> 00:35:19,285 * ALL OVER THIS LAND. 468 00:35:19,385 --> 00:35:21,052 - YOU'RE SUCH A GOOD BOY. - Man: OH, PLEASE, HERE, TAKE THIS. 469 00:35:21,153 --> 00:35:23,389 I'LL TAKE THESE. WELCOME. 470 00:35:23,489 --> 00:35:26,358 UH, EXCUSE THE MESS. WE JUST HAD A STAFF MEETING. 471 00:35:26,458 --> 00:35:28,594 OH, GOOD. THEY'RE HERE. 472 00:35:28,694 --> 00:35:32,198 UM, TEMPLE GRANDIN, I WOULD LIKE YOU TO MEET, UH, MR. HODGES. 473 00:35:32,298 --> 00:35:34,266 HE IS OUR, UH, MATHEMATICS TEACHER. 474 00:35:34,366 --> 00:35:36,402 Eustacia: TEMPLE, COME HERE. 475 00:35:36,502 --> 00:35:38,304 HELLO, I'M TEMPLE. IT'S VERY NICE TO MEET YOU. 476 00:35:38,404 --> 00:35:40,506 THIS IS MADEMOISELLE DAVIDE. SHE IS OUR FRENCH TEACHER. 477 00:35:40,606 --> 00:35:42,374 HELLO, I'M TEMPLE, IT'S VERY NICE TO MEET YOU. 478 00:35:42,474 --> 00:35:43,609 Davide: BONJOUR, MADEMOISELLE. 479 00:35:43,709 --> 00:35:46,245 HI, I'M DR. CARLOCK. I TEACH SCIENCE. 480 00:35:46,345 --> 00:35:50,582 - ARE YOU A SCIENTIST? - TEMPLE. 481 00:35:50,682 --> 00:35:52,451 HELLO, I'M TEMPLE, IT'S VERY NICE TO MEET YOU. 482 00:35:52,551 --> 00:35:55,521 - ARE YOU A SCIENTIST? - I USED TO WORK FOR N.A.S.A. 483 00:35:55,621 --> 00:35:56,722 MM-HMM. 484 00:35:58,190 --> 00:36:00,459 TEMPLE'S VERY INTERESTED IN SCIENCE. 485 00:36:00,559 --> 00:36:02,761 - OH! - I'D LIKE TO MEET BELKA AND STRELKA. 486 00:36:02,861 --> 00:36:05,163 THEY'RE THE FIRST DOGS TO COME BACK FROM SPACE ALIVE. 487 00:36:05,264 --> 00:36:08,099 - THAT'S RIGHT, IN-- SPUTNIK V, AUGUST 20th, 1960. - SPUTNIK V, AUGUST 20th, 1960. 488 00:36:08,200 --> 00:36:13,272 ( group laughter ) 489 00:36:13,372 --> 00:36:15,907 Eustacia: WE'RE CHANGING SCHOOLS MID-TERM 490 00:36:16,007 --> 00:36:18,076 BECAUSE TEMPLE'S BEEN EXPELLED. 491 00:36:18,176 --> 00:36:20,746 I'M SORRY, WHY WAS SHE EXPELLED, AGAIN? 492 00:36:20,846 --> 00:36:23,148 HITTING ANOTHER CHILD WITH A BOOK. 493 00:36:23,249 --> 00:36:24,983 THERE'S NO EXCUSE, 494 00:36:25,083 --> 00:36:26,518 BUT I WILL SAY THIS IN HER DEFENSE-- 495 00:36:26,618 --> 00:36:30,622 I HAVE NEVER SEEN HER STRIKE UNLESS SHE'S BEEN PROVOKED. 496 00:36:30,722 --> 00:36:35,627 AND OTHER CHILDREN HAVE TAUNTED AND BULLIED HER CONSTANTLY. 497 00:36:35,727 --> 00:36:37,263 THEY MAKE FUN OF HER 498 00:36:37,363 --> 00:36:39,631 BECAUSE SHE DOESN'T UNDERSTAND THEIR JOKES. 499 00:36:39,731 --> 00:36:41,967 SHE SPINS TO COMFORT HERSELF. 500 00:36:42,067 --> 00:36:43,969 SHE TALKS FAST, OFTEN TOO FAST, 501 00:36:44,069 --> 00:36:46,405 AND SHE TALKS REPETITIVELY 502 00:36:46,505 --> 00:36:49,508 AND THEN THE CHILDREN CALLED HER A TAPE RECORDER. 503 00:36:49,608 --> 00:36:52,077 SHE'LL GO INTO A PANIC ATTACK 504 00:36:52,177 --> 00:36:53,579 AND THEN THEY MAKE FUN OF THAT TOO. 505 00:36:53,679 --> 00:36:55,113 EXCUSE ME. 506 00:36:55,213 --> 00:36:57,916 WHEN WAS SHE DIAGNOSED AUTISTIC? 507 00:36:58,016 --> 00:37:00,185 SHE WAS FOUR, 508 00:37:00,286 --> 00:37:03,121 BUT I SOMETIMES WONDER IF THAT'S CORRECT. 509 00:37:03,221 --> 00:37:05,056 WHY DO YOU SAY THAT? 510 00:37:05,156 --> 00:37:06,992 YOU'VE SEEN HER-- SHE'S BRIGHT. 511 00:37:07,092 --> 00:37:09,561 - ( students laughing ) - WE HAVE A LOT OF EXPERIENCE 512 00:37:09,661 --> 00:37:13,565 WITH CHILDREN WITH SPECIAL NEEDS, EMOTIONAL PROBLEMS, 513 00:37:13,665 --> 00:37:16,902 NEURO-BEHAVIORAL ISSUES THAT WE'VE MADE A NUMBER... 514 00:37:17,002 --> 00:37:18,704 ( voice trails off ) 515 00:37:18,804 --> 00:37:20,306 - I THINK THAT BECAUSE OF-- - I'M SO SORRY. 516 00:37:20,406 --> 00:37:22,040 I REALLY HAVE WASTED YOUR TIME. 517 00:37:22,140 --> 00:37:24,343 I JUST CAN'T DO THIS TO HER. 518 00:37:25,377 --> 00:37:27,178 MRS. GRANDIN. MRS. GRANDIN. 519 00:37:27,279 --> 00:37:28,747 MRS. GRANDIN! MRS. GRANDIN, PLEASE! 520 00:37:28,847 --> 00:37:31,016 CAN I SPEAK WITH YOU FOR A MOMENT, PLEASE? 521 00:37:35,186 --> 00:37:36,922 MRS. GRANDIN, YOU DON'T STRIKE ME 522 00:37:37,022 --> 00:37:39,525 AS THE SORT OF PERSON WHO WOULD ABUSE THEIR CHILD 523 00:37:39,625 --> 00:37:41,793 OR, UH, OR DENY THEM LOVE AND CARE-- 524 00:37:41,893 --> 00:37:43,595 - ( baggage hitting floor ) - NOW YOU WAIT. 525 00:37:43,695 --> 00:37:46,565 I HAVE DONE EVERYTHING THAT I CAN FOR TEMPLE 526 00:37:46,665 --> 00:37:49,034 AND IF IT ISN'T GOOD ENOUGH, 527 00:37:49,134 --> 00:37:50,869 THEN IT JUST ISN'T GOOD ENOUGH. 528 00:37:50,969 --> 00:37:54,840 BUT YOU CANNOT TO BEGIN TO IMAGINE THE-- THE-- THE CHAOS, 529 00:37:54,940 --> 00:37:58,810 THE UPHEAVALS, THE TANTRUMS, AND THE PAIN-- 530 00:37:58,910 --> 00:38:00,346 HER PAIN. 531 00:38:00,446 --> 00:38:02,280 UH, YOU SEEM TO BE ACTING 532 00:38:02,381 --> 00:38:04,816 AS IF YOU HAVE DONE SOMETHING WRONG, 533 00:38:04,916 --> 00:38:06,051 WHEN-- WHEN IT'S OBVIOUS 534 00:38:06,151 --> 00:38:07,986 YOU'VE DONE EVERYTHING RIGHT. 535 00:38:08,086 --> 00:38:09,321 I-- I THINK SHE'S TERRIFIC. 536 00:38:09,421 --> 00:38:12,424 I KNOW IT'S DIFFICULT 537 00:38:12,524 --> 00:38:15,126 WHEN, UM, AS PARENTS, WE WANT OUR CHILDREN 538 00:38:15,226 --> 00:38:17,062 TO BE EVERYTHING WE HOPED FOR THEM TO BE 539 00:38:17,162 --> 00:38:20,566 AND, IF THEY'RE NOT, WE THINK IT'S OUR FAULT AND-- 540 00:38:20,666 --> 00:38:22,768 AND THAT THERE'S NEVER EVER ANYBODY OUT THERE 541 00:38:22,868 --> 00:38:24,636 WHO UNDERSTANDS WHAT WE'RE GOING THROUGH 542 00:38:24,736 --> 00:38:26,838 THAT-- UH, IT MAKES YOU FEEL ALONE, RIGHT? 543 00:38:26,938 --> 00:38:31,176 UM, MRS. GRANDIN, I'M NOT, UH, AN ADMISSIONS PERSON. 544 00:38:31,276 --> 00:38:33,545 I-- I JUST TEACH SCIENCE, 545 00:38:33,645 --> 00:38:35,881 BUT I FEEL THAT THIS SCHOOL 546 00:38:35,981 --> 00:38:38,116 MIGHT BE THE RIGHT PLACE FOR YOUR DAUGHTER. 547 00:38:38,216 --> 00:38:40,619 I-- I'D LOVE TO HAVE HER HERE. 548 00:38:43,855 --> 00:38:49,194 THE DOCTORS WANTED ME TO INSTITUTIONALIZE HER. 549 00:38:49,294 --> 00:38:50,729 I DON'T KNOW. 550 00:38:50,829 --> 00:38:52,864 JUST DUMPING HER AT A BOARDING SCHOOL, 551 00:38:52,964 --> 00:38:55,066 IT JUST FEELS LIKE ANOTHER WAY TO GIVE HER UP. 552 00:38:55,166 --> 00:38:58,670 Carlock: BUT IT'S-- IT'S NOT. IT'S JUST THE FIRST STEP 553 00:38:58,770 --> 00:39:01,139 IN GETTING HER OUT INTO THE WORLD. 554 00:39:01,239 --> 00:39:03,108 AND-- 555 00:39:03,208 --> 00:39:05,544 AND, I KNOW YOU SAW THE CHILDREN MAKING FUN OF HER 556 00:39:05,644 --> 00:39:07,278 AND, UH, YOU WANT TO PROTECT HER. 557 00:39:07,379 --> 00:39:09,147 YEAH, OF COURSE I DO. 558 00:39:09,247 --> 00:39:11,417 YEAH, WHAT PARENT DOESN'T WANT TO? 559 00:39:11,517 --> 00:39:15,854 BUT AT SOME POINT, SHE'S GOING TO HIT LIFE HEAD ON. 560 00:39:15,954 --> 00:39:20,826 AND TRUST ME, WE-- WE KNOW HOW DIFFERENT SHE IS. 561 00:39:23,328 --> 00:39:25,397 DIFFERENT, NOT LESS. 562 00:39:25,497 --> 00:39:29,401 DIFFERENT, BUT NOT LESS. 563 00:39:32,471 --> 00:39:34,640 YOU WATCH. YOU'LL-- 564 00:39:34,740 --> 00:39:37,809 YOU'LL MAKE FRIENDS AND YOU'RE GONNA RIDE HORSES. 565 00:39:40,111 --> 00:39:42,380 - OKAY? - OKAY. 566 00:39:45,851 --> 00:39:48,454 OKAY. 567 00:40:03,301 --> 00:40:05,036 ( pig snorts ) 568 00:40:12,911 --> 00:40:16,047 ( pig snorts ) 569 00:40:20,919 --> 00:40:22,187 ( whickers ) 570 00:40:27,993 --> 00:40:30,462 ( horses whickering ) 571 00:40:32,130 --> 00:40:36,201 ( horse whinnying ) 572 00:40:36,301 --> 00:40:38,203 - ( stall door bangs ) - ( gasps ) 573 00:40:40,572 --> 00:40:42,908 ( horse shrieks ) 574 00:40:53,985 --> 00:40:56,087 ( horse whinnying, screaming ) 575 00:41:26,652 --> 00:41:30,055 ( heart beating ) 576 00:41:39,097 --> 00:41:41,266 Woman: WHAT ARE YOU DOING IN WITH CHESTNUT?! 577 00:41:41,366 --> 00:41:42,668 NO ONE IS TO GO NEAR THAT HORSE! 578 00:41:42,768 --> 00:41:44,435 CAN HE BE MY HORSE? 579 00:41:44,536 --> 00:41:46,204 HE LIKES BEING HUGGED. 580 00:41:46,304 --> 00:41:47,573 I WANT TO RIDE HIM! 581 00:41:47,673 --> 00:41:49,040 YOU'LL RIDE. 582 00:41:49,140 --> 00:41:50,942 JUST NOT CHESTNUT. 583 00:42:20,038 --> 00:42:22,941 "LE PAIN EST UN ALIMENT DE BASE 584 00:42:23,041 --> 00:42:25,944 DANS DE NOMBREUSES SOCIETES HUMAINES." 585 00:42:26,044 --> 00:42:27,278 ( mispronouncing ) IL EST. 586 00:42:27,378 --> 00:42:29,114 IL EST. 587 00:42:29,214 --> 00:42:30,949 NO, SAY, "IL EST." 588 00:42:31,049 --> 00:42:32,050 IL EST. 589 00:42:32,150 --> 00:42:34,820 - ( students laughing ) - IL EST. 590 00:42:34,920 --> 00:42:37,388 WELL, WHY ARE SO MANY FISH IN FRANCE?! 591 00:42:37,488 --> 00:42:39,891 ( students laughing ) 592 00:42:39,991 --> 00:42:42,327 ( boys taunting ) FRENCH FISH! FRENCH FISH! 593 00:43:00,846 --> 00:43:02,313 EXCELLENT WORK, TEMPLE. 594 00:43:02,413 --> 00:43:03,782 REALLY EXCELLENT WORK. 595 00:43:08,553 --> 00:43:10,656 - FRENCH FISH! - FRENCH FISH! 596 00:43:10,756 --> 00:43:13,391 - ( laughing ) FRENCH FISH! - FRENCH FISH! 597 00:43:13,491 --> 00:43:16,361 - OH! - HEY! WHAT HAPPENED HERE? 598 00:43:16,461 --> 00:43:17,362 SHE HIT HIM FOR NO REASON! 599 00:43:17,462 --> 00:43:18,697 TEMPLE. 600 00:43:18,797 --> 00:43:20,899 COME ON, LET'S GO. 601 00:43:20,999 --> 00:43:23,334 - AND HE'S DONE IT BEFORE! - STOP. STOP. TEMPLE, STOP. 602 00:43:23,434 --> 00:43:29,207 TEMPLE, TIM WILL BE PUNISHED FOR WHAT HE DID, BUT YOU CANNOT HIT PEOPLE. 603 00:43:29,307 --> 00:43:30,842 YOU UNDERSTAND THAT? 604 00:43:30,942 --> 00:43:32,844 - ( sigh ) - GOOD. 605 00:43:32,944 --> 00:43:34,579 AND TO REALLY GET THAT THROUGH TO YOU, 606 00:43:34,680 --> 00:43:36,081 YOU WILL NOT RIDE FOR TWO WEEKS. 607 00:43:36,181 --> 00:43:39,818 - BUT THAT'S NOT FAIR! - TWO WEEKS. 608 00:43:47,659 --> 00:43:49,995 ( panting ) 609 00:43:53,298 --> 00:43:55,967 Man: NO NO. THERE'S-- THERE'S NOTHING THERE. 610 00:43:56,067 --> 00:43:59,270 AND HE'S BEEN LIKE THIS FOR THREE HOURS? 611 00:43:59,370 --> 00:44:01,940 I DON'T THINK THERE'S ANYTHING ANYBODY COULD HAVE DONE. 612 00:44:05,010 --> 00:44:07,445 I'LL SEND THE BOY AROUND WITH THE TRUCK. CAN YOU DO THAT? 613 00:44:07,545 --> 00:44:09,414 I'LL TAKE CARE OF IT, DAD. 614 00:44:30,769 --> 00:44:32,303 TEMPLE? 615 00:44:44,149 --> 00:44:47,118 WHERE DO THEY GO? 616 00:44:47,218 --> 00:44:48,419 I DON'T KNOW. 617 00:44:48,519 --> 00:44:50,388 UM, HEAVEN, 618 00:44:50,488 --> 00:44:52,958 MAYBE. UH, SOMEWHERE. 619 00:44:55,927 --> 00:45:00,531 TEMPLE, WHEN ANIMALS AND PEOPLE DIE, 620 00:45:00,631 --> 00:45:03,601 THEY STAY WITH US IN OUR MINDS. 621 00:45:03,701 --> 00:45:05,737 WE CAN STILL SEE THEM. 622 00:45:05,837 --> 00:45:09,240 SO I THINK IT WOULD BEST NOT TO REMEMBER CHESTNUT LIKE THIS. 623 00:45:09,340 --> 00:45:11,109 OKAY? 624 00:45:12,510 --> 00:45:14,012 I SEE CHESTNUT THE DAY I ARRIVED. 625 00:45:14,112 --> 00:45:15,881 - ( photos snapping ) - I SEE GROOMING CHESTNUT. 626 00:45:15,981 --> 00:45:18,716 I SEE A PICTURE OF A HORSE JUST LIKE CHESTNUT IN A BOOK. 627 00:45:18,817 --> 00:45:22,020 WE PASSED A CHESTNUT HORSE ON ROUTE 119 NEAR A FEED STORE. 628 00:45:22,120 --> 00:45:23,755 THERE WAS ONE ON A CALENDAR AT AUNT ANN'S, 629 00:45:23,855 --> 00:45:25,123 THERE WAS ONE IN "LIFE" MAGAZINE 630 00:45:25,223 --> 00:45:26,391 OPPOSITE THE PAGE OF MR. KENNEDY. 631 00:45:26,491 --> 00:45:27,959 OKAY. O-OKAY. 632 00:45:28,059 --> 00:45:32,230 CAN YOU BRING EVERYTHING YOU'VE SEEN TO YOUR MIND? 633 00:45:32,330 --> 00:45:34,099 SURE. 634 00:45:34,199 --> 00:45:39,037 EVEN IF IT WERE, UH, AN EVERYDAY OBJECT LIKE, UH, SAY SHOES? 635 00:45:39,137 --> 00:45:41,773 I SEE ALL THE SHOES I'VE WORN, 636 00:45:41,873 --> 00:45:43,241 MY MOTHER'S AND OTHER PEOPLE I'VE MET. 637 00:45:43,341 --> 00:45:45,210 YOU HAVE THREE PAIRS-- ONE NEEDS A NEW HEEL. 638 00:45:45,310 --> 00:45:48,279 AND I SEE THE NEWSPAPER ADS AND TV ADS AND-- 639 00:45:48,379 --> 00:45:50,248 WOW. 640 00:45:50,348 --> 00:45:52,283 CAN'T YOU? 641 00:45:52,383 --> 00:45:55,520 - THIS GIRL HAS AN AMAZING MIND. - TRY TEACHING HER MATH. 642 00:45:55,620 --> 00:45:57,155 - HER ALGEBRA'S HOPELESS. - OR FRENCH. 643 00:45:57,255 --> 00:45:59,424 "WHY ARE THERE SO MANY FISH IN FRANCE?" 644 00:45:59,524 --> 00:46:01,559 I WANT TO SHOW YOU SOMETHING. 645 00:46:01,659 --> 00:46:03,761 SHE THINKS IN PICTURES. 646 00:46:03,862 --> 00:46:07,632 THAT'S WHY SHE DOES SO WELL WHEN SHE CAN SEE THE THINGS THAT ARE BEING DISCUSSED. 647 00:46:07,732 --> 00:46:09,700 LIKE, UM, BIOLOGY? 648 00:46:09,801 --> 00:46:13,638 OR-- OR-- SHOP. 649 00:46:13,738 --> 00:46:15,540 THOSE ARE CONCRETE THINGS. 650 00:46:15,640 --> 00:46:17,475 BUT LANGUAGE OR ALGEBRA? 651 00:46:17,575 --> 00:46:19,410 IT'S JUST GIBBERISH TO HER. 652 00:46:19,510 --> 00:46:20,946 WHAT'S THAT? 653 00:46:21,046 --> 00:46:23,815 DO YOU WANT TO SEE YOUR FRENCH FISH? 654 00:46:23,915 --> 00:46:26,484 "THE EELS ATE." 655 00:46:26,584 --> 00:46:28,353 "IL EST." 656 00:46:28,453 --> 00:46:29,787 "EEL ATE." 657 00:46:29,888 --> 00:46:32,690 ILS SONT, IL DANSE, IL PENSE. 658 00:46:32,790 --> 00:46:34,792 FRENCH IS FULL OF "EELS." 659 00:46:34,893 --> 00:46:36,694 AND THIS IS WHAT SHE SEES. 660 00:46:36,794 --> 00:46:39,264 SHE'S AN AMAZING VISUAL THINKER. 661 00:46:44,936 --> 00:46:47,939 - LET ME WORK WITH HER. - FINE. 662 00:46:48,039 --> 00:46:49,975 ( electricity buzzing ) 663 00:46:50,075 --> 00:46:53,511 WE HAVE FIVE MINUTES LEFT. WHO WANTS TO SEE A MOVIE? 664 00:46:53,611 --> 00:46:55,413 - All: YEAH! - ALL RIGHT. 665 00:47:00,986 --> 00:47:02,353 J.D., WILL YOU DO THE PROJECTOR? 666 00:47:02,453 --> 00:47:04,022 J.D.: OKAY. 667 00:47:06,191 --> 00:47:08,960 ALL RIGHT. NOW EVERYBODY WATCH VERY CAREFULLY 668 00:47:09,060 --> 00:47:12,497 BECAUSE THIS ONE IS ALL ABOUT OPTICAL ILLUSIONS. 669 00:47:12,597 --> 00:47:14,365 ( projector whirring ) 670 00:47:14,465 --> 00:47:16,101 Film narrator: It comes as a distinct shock to most people 671 00:47:16,201 --> 00:47:18,803 when they realize how limited and inaccurate 672 00:47:18,904 --> 00:47:21,139 the human senses really are. 673 00:47:21,239 --> 00:47:23,374 In this house, faces at the window 674 00:47:23,474 --> 00:47:25,610 seem to come in assorted sizes, don't they? 675 00:47:25,710 --> 00:47:27,946 - Carlock: LOOKS LIKE MR. POVEY, DOESN'T IT? - ( students laugh ) 676 00:47:28,046 --> 00:47:30,481 But there's nothing wrong with the faces. 677 00:47:30,581 --> 00:47:31,883 It's those windows 678 00:47:31,983 --> 00:47:33,885 and what they're doing to your brain. 679 00:47:33,985 --> 00:47:35,753 Carlock: ALL RIGHT, HERE WE GO. 680 00:47:35,853 --> 00:47:38,189 A small one and a tall one. 681 00:47:38,289 --> 00:47:40,892 - Students: OH WOW. - UH-HUH. 682 00:47:40,992 --> 00:47:43,094 Let's see if we can even things out a bit. 683 00:47:48,199 --> 00:47:49,800 - HOW DO THEY DO THAT?! - Female student: SIT DOWN! 684 00:47:49,901 --> 00:47:51,602 - SHH! - TEMPLE, SIT DOWN, PLEASE. 685 00:47:51,702 --> 00:47:53,071 ( projector stops ) 686 00:47:53,171 --> 00:47:54,705 THAT IS THE QUESTION, ISN'T IT? 687 00:47:54,805 --> 00:47:56,807 "HOW DID THEY DO THAT?" HMM? 688 00:47:56,908 --> 00:47:58,409 WELL, THAT'S THIS WEEK'S ASSIGNMENT. 689 00:47:58,509 --> 00:48:00,045 - ( students groan ) - I WANT ONE PAGE, AT LEAST. 690 00:48:00,145 --> 00:48:01,980 Female student: A FULL PAGE? 691 00:48:02,080 --> 00:48:03,414 - ALL RIGHT, TWO? - Female student: NO NO NO. 692 00:48:03,514 --> 00:48:05,716 - ALL RIGHT, ONE PAGE. - ( students chatting ) 693 00:48:05,816 --> 00:48:07,585 THEY MESS WITH THE PERSPECTIVE! 694 00:48:07,685 --> 00:48:09,120 THAT'S RIGHT, TEMPLE. 695 00:48:09,220 --> 00:48:11,822 AND IT WAS A ROOM BUILT WITH DISTORTED PERSPECTIVE. 696 00:48:11,923 --> 00:48:13,058 BUT HOW? 697 00:48:13,158 --> 00:48:14,592 WELL, DO YOU THINK YOU COULD FIGURE IT OUT? 698 00:48:14,692 --> 00:48:17,996 MAYBE IF YOU VISUALIZED IT? 699 00:48:18,096 --> 00:48:21,066 AND IF YOU BUILD ONE, I'LL GIVE YOU EXTRA CREDIT. 700 00:48:22,667 --> 00:48:25,336 YEAH, OKAY. 701 00:48:32,143 --> 00:48:34,745 ( students chatting ) 702 00:48:34,845 --> 00:48:36,647 Girl: OH-- HEY! 703 00:48:39,484 --> 00:48:42,787 WEIRDO! 704 00:48:42,887 --> 00:48:45,423 DOES SHE HAVE TO CHALK THE WALLS? 705 00:48:51,362 --> 00:48:53,164 LOOK AT HER. 706 00:48:57,035 --> 00:48:58,603 ( students laughing ) 707 00:49:22,427 --> 00:49:24,762 - I CAN'T DO IT! - I THINK YOU CAN, TEMPLE. 708 00:49:24,862 --> 00:49:26,364 BUT I CAN'T! 709 00:49:26,464 --> 00:49:27,932 OH, I KNOW, I KNOW. I SHOULDN'T SHOUT. 710 00:49:28,033 --> 00:49:30,235 BUT MEASURING PERSPECTIVE DIDN'T WORK! 711 00:49:31,569 --> 00:49:32,703 MM-HMM. 712 00:49:51,989 --> 00:49:54,759 ( pants sharply ) 713 00:49:54,859 --> 00:49:57,628 - ( students talking ) - LEIGH, THESE ARE THE SPECIFICATIONS YOU NEED. 714 00:50:00,465 --> 00:50:01,932 SUCCESS, TEMPLE? 715 00:50:02,033 --> 00:50:05,836 NO! GIVE ME A CLUE, PLEASE! 716 00:50:05,936 --> 00:50:08,673 WELL, YOU HAVE TO THINK OF ALL THE FEATURES IN THE ROOM-- 717 00:50:08,773 --> 00:50:12,677 THE WALLS, THE FLOORS, THE CEILINGS, THE DOORS. 718 00:50:12,777 --> 00:50:15,213 GOT IT! 719 00:50:20,785 --> 00:50:23,854 Man: You've already gone through this right? 720 00:50:23,954 --> 00:50:26,224 ( students chatting quietly ) 721 00:50:35,866 --> 00:50:41,038 BUT AS YOU CAN SEE, THE HORSES ARE THE EXACT SAME SIZE. 722 00:50:41,139 --> 00:50:44,675 - WOW. - 723 00:50:44,775 --> 00:50:46,644 AND HERE IS THE ROOM! 724 00:50:49,414 --> 00:50:51,716 WOW. 725 00:50:51,816 --> 00:50:54,219 TEMPLE, CONGRATULATIONS. 726 00:50:54,319 --> 00:50:56,754 I THINK THIS DESERVES A ROUND OF APPLAUSE. 727 00:50:56,854 --> 00:50:58,789 ( applause ) 728 00:51:01,892 --> 00:51:04,262 I THINK IT DESERVES A CELEBRATION. 729 00:51:04,362 --> 00:51:06,797 - Students: YEAH! - Girl: WOO! WOO! 730 00:51:06,897 --> 00:51:08,399 ( applause ) 731 00:51:08,499 --> 00:51:13,070 Students: FIVE, FOUR, THREE, TWO, ONE. 732 00:51:18,075 --> 00:51:20,111 ( cheering, applause ) 733 00:51:35,226 --> 00:51:37,395 NOW HERE'S A QUESTION: 734 00:51:37,495 --> 00:51:40,531 IF I WIND THIS UP AND THEN LET GO, 735 00:51:40,631 --> 00:51:42,633 WHY DOESN'T THE PROPELLER STAY STILL 736 00:51:42,733 --> 00:51:45,002 AND THE BODY OF THE PLANE SPIN AROUND? 737 00:51:45,102 --> 00:51:46,771 OH, THAT'S SIMPLE. THE RESISTANCE OF THE WINGS. 738 00:51:46,871 --> 00:51:48,873 THAT'S ABSOLUTELY RIGHT. 739 00:51:48,973 --> 00:51:50,641 AND WATCH THIS. 740 00:51:53,978 --> 00:51:56,381 WITH NO WINGS 741 00:51:56,481 --> 00:51:59,284 AND JUST ONE PLANE OF RESISTANCE... 742 00:52:08,459 --> 00:52:10,328 YOU HAVE A HELICOPTER! 743 00:52:10,428 --> 00:52:12,497 YOU'RE ABSOLUTELY RIGHT. 744 00:52:13,764 --> 00:52:15,233 OH, TEMPLE. 745 00:52:15,333 --> 00:52:18,569 YOU HAVE A VERY SPECIAL MIND, YOU KNOW THAT? 746 00:52:18,669 --> 00:52:20,905 YOU SEE THE WORLD IN WAYS THAT OTHERS CAN'T, 747 00:52:21,005 --> 00:52:23,474 AND THAT'S QUITE AN ADVANTAGE. 748 00:52:23,574 --> 00:52:27,178 AND YOU KNOW SOMETHING? IF YOU WEREN'T SUCH A GOOF 749 00:52:27,278 --> 00:52:28,979 AND YOU DEVELOPED THIS TALENT, 750 00:52:29,079 --> 00:52:31,849 YOU COULD EASILY GO ON TO COLLEGE. 751 00:52:31,949 --> 00:52:33,618 WHAT WOULD I DO AT COLLEGE? 752 00:52:33,718 --> 00:52:35,653 WELL, WITH YOUR MIND, ANYTHING YOU WANTED TO. 753 00:52:35,753 --> 00:52:37,455 JUST PICK A SUBJECT. 754 00:52:41,559 --> 00:52:42,927 COWS. 755 00:52:43,027 --> 00:52:45,095 - DO THEY HAVE COLLEGES WITH COWS? - YES, THEY DO. 756 00:52:45,196 --> 00:52:47,598 AND HORSES AND PIGS AND GOATS AND SHEEP. 757 00:52:47,698 --> 00:52:50,034 YEAH, IT'S CALLED "ANIMAL HUSBANDRY." 758 00:52:50,134 --> 00:52:52,470 - ( cow moos ) - ( chapel bell ringing ) 759 00:52:52,570 --> 00:52:56,207 ( laugh ) ANIMAL HUSBANDRY. 760 00:52:56,307 --> 00:52:58,175 YEAH, IT DEALS WITH THE CARE OF ANIMALS. 761 00:52:58,276 --> 00:53:01,546 REALLY, ANYTHING YOU WANTED. 762 00:53:01,646 --> 00:53:04,349 YOU COULD STUDY PEOPLE-- UH, PSYCHOLOGY. 763 00:53:04,449 --> 00:53:06,884 I'D GET TO UNDERSTAND PEOPLE? 764 00:53:06,984 --> 00:53:09,320 ( dryly ) WELL, THAT'S THE IDEA. 765 00:53:11,989 --> 00:53:14,191 I'LL STAY HERE. 766 00:53:15,726 --> 00:53:20,598 TEMPLE, THINK OF IT AS A DOOR-- 767 00:53:20,698 --> 00:53:24,469 A DOOR THAT'S GOING TO OPEN UP ONTO A WHOLE NEW WORLD FOR YOU 768 00:53:24,569 --> 00:53:28,773 AND ALL YOU NEED TO DO IS DECIDE TO GO THROUGH IT. 769 00:53:39,016 --> 00:53:41,486 ( bell ringing ) 770 00:53:50,160 --> 00:53:51,596 - MISS GRANDIN? - FIRST OFF, 771 00:53:51,696 --> 00:53:54,164 I TALKED TO MY OLD TEACHER DR. CARLOCK. 772 00:53:54,265 --> 00:53:55,700 AND HE SAID I SHOULD STRESS THAT IT WASN'T 773 00:53:55,800 --> 00:53:57,502 THAT I HADN'T DONE THE WORK BECAUSE I HAD, 774 00:53:57,602 --> 00:53:59,504 BUT I'D COLLECTED WAY TOO MUCH DATA 775 00:53:59,604 --> 00:54:01,472 AND BACKED IT UP WITH FAR TOO MANY CITATIONS, 776 00:54:01,572 --> 00:54:04,208 THAT I NEEDED EXTRA TIME JUST TO MAKE IT COHERENT. 777 00:54:04,309 --> 00:54:05,676 BUT IF YOU LOOK AT THESE RESULTS, 778 00:54:05,776 --> 00:54:07,745 YOU'LL SEE THAT IT'S NOT JUST ME, BUT IN FACT 779 00:54:07,845 --> 00:54:10,548 A MAJORITY OF PEOPLE WHO BECOME CALMER WHEN USING MY MACHINE. 780 00:54:10,648 --> 00:54:13,418 AND THAT REALLY MAKES A CLEAR CASE FOR ME KEEPING IT. 781 00:54:13,518 --> 00:54:15,453 OH, AND I SHOULD GET A GOOD GRADE. 782 00:54:15,553 --> 00:54:18,589 - DID YOUR-- - CERTAINLY MORE THAN A PASS. 783 00:54:18,689 --> 00:54:22,927 DID YOUR PREVIOUS TEACHER SUGGEST THE GOOD GRADE? 784 00:54:23,027 --> 00:54:24,695 NO, THAT'S ME. 785 00:54:24,795 --> 00:54:27,665 LEAVE IT WITH ME. 786 00:54:27,765 --> 00:54:30,801 THIS IS VERY IMPORTANT WORK! 787 00:54:40,545 --> 00:54:42,747 HMM. 788 00:54:44,382 --> 00:54:46,083 YOU USED A CONTROL GROUP? 789 00:54:46,183 --> 00:54:49,620 THEY WERE TESTED RESTING, SEATING-- MOST OF THEM GOT BORED. 790 00:54:49,720 --> 00:54:50,855 PAGE FOUR. 791 00:54:57,862 --> 00:54:59,263 THIS IS EXCELLENT. 792 00:54:59,364 --> 00:55:01,432 AND I THINK IT WILL BE A GOOD GRADE. 793 00:55:02,500 --> 00:55:04,335 SO I KEEP MY MACHINE. 794 00:55:05,670 --> 00:55:07,738 IN THAT CASE, I'LL STAY. 795 00:55:07,838 --> 00:55:11,075 I WOULD IMAGINE YOUR NEW ROOMMATE WILL WANT A SAY 796 00:55:11,175 --> 00:55:13,043 IN WHETHER YOU KEEP THE MACHINE. 797 00:55:23,588 --> 00:55:25,222 THAT'S MY SQUEEZE MACHINE. 798 00:55:25,322 --> 00:55:28,426 - DO I HAVE TO MOVE IT? - NO. 799 00:55:28,526 --> 00:55:30,528 BUT DON'T EVER MOVE IT 800 00:55:30,628 --> 00:55:33,130 AND THEN I'LL ALWAYS KNOW WHERE IT IS. 801 00:55:33,230 --> 00:55:36,333 OKAY. 802 00:55:36,434 --> 00:55:38,235 IT'S ALMOST TIME FOR "THE MAN FROM U.N.C.L.E." 803 00:55:38,335 --> 00:55:39,870 THEY PLAY IT IN THE REC ROOM. 804 00:55:39,970 --> 00:55:41,906 DO YOU WANT TO WATCH "THE MAN FROM U.N.C.L.E."? 805 00:55:44,642 --> 00:55:47,678 OH! YOU CAN'T WATCH "THE MAN FROM U.N.C.L.E." 806 00:55:47,778 --> 00:55:50,047 I DO. I'D LOVE TO WATCH IT. 807 00:55:50,147 --> 00:55:52,182 WILL YOU SHOW ME WHERE IT IS? 808 00:55:52,282 --> 00:55:54,585 YEAH, SURE. 809 00:56:06,631 --> 00:56:09,500 ( "Man From U.N.C.L.E." theme music playing ) 810 00:56:16,707 --> 00:56:18,976 NOW ILLYA KURYAKIN'S TRYIN' TO OPEN THE DOOR, BUT IT'S LOCKED. 811 00:56:19,076 --> 00:56:21,045 SHH! 812 00:56:21,145 --> 00:56:24,214 AND NOW THE FLOOR'S SLIDING UNDER THE ROOM. 813 00:56:24,314 --> 00:56:25,483 SHH! 814 00:56:25,583 --> 00:56:27,452 THERE'S A BIG DROP TO LOTS OF SPIKES! 815 00:56:27,552 --> 00:56:28,753 Girls: SHH! 816 00:56:28,853 --> 00:56:30,621 THAT'S OTHER KIDS IN THE ROOM HISSING. 817 00:56:33,558 --> 00:56:36,494 - DO YOU LIKE "STAR TREK" TOO? - YES. 818 00:56:36,594 --> 00:56:38,395 WHO'S YOUR FAVORITE? 819 00:56:38,496 --> 00:56:42,733 MR. SPOCK. WE HAVE A LOT IN COMMON. 820 00:56:42,833 --> 00:56:45,202 MAYBE WE CAN WATCH IT ON THE RADIO. 821 00:56:45,302 --> 00:56:47,638 THEY BROADCAST IT FOR THE BLIND. 822 00:56:47,738 --> 00:56:48,573 THEY DO? 823 00:56:48,673 --> 00:56:51,509 LET'S WATCH IT ON THE RADIO. 824 00:56:54,244 --> 00:56:56,847 YOU'RE QUIETER NOW. 825 00:56:56,947 --> 00:56:59,083 IS THAT BECAUSE YOU'RE IN YOUR SQUEEZE MACHINE? 826 00:57:01,452 --> 00:57:03,654 WELL, I WAS JUST GETTING OUT. 827 00:57:07,324 --> 00:57:09,527 IS MY VOICE THAT DIFFERENT? 828 00:57:09,627 --> 00:57:11,462 IT IS TO ME. 829 00:57:11,562 --> 00:57:14,632 REMEMBER, I-- I SEE YOU THROUGH YOUR VOICE. 830 00:57:14,732 --> 00:57:17,034 DO YOU REMEMBER A LOT OF VOICES? 831 00:57:17,134 --> 00:57:18,969 OF COURSE. 832 00:57:19,069 --> 00:57:22,072 BUT I REMEMBER THE SOUNDS OF PLACES TOO. 833 00:57:24,074 --> 00:57:25,876 WE'RE THE SAME, 834 00:57:25,976 --> 00:57:28,813 ONLY YOU HAVE SOUNDS AND I HAVE PICTURES. 835 00:57:30,314 --> 00:57:32,149 I-- I'M OFF TO CLASS. 836 00:57:34,351 --> 00:57:36,453 ( sigh ) I HAVE FRENCH CLASS. 837 00:57:36,554 --> 00:57:38,288 I HATE IT. 838 00:57:38,388 --> 00:57:40,591 IT'S WHY I'M IN MY SQUEEZE MACHINE. 839 00:57:40,691 --> 00:57:43,661 YOUR SQUEEZE MACHINE DOESN'T BOTHER ME. 840 00:57:43,761 --> 00:57:46,797 - OKAY? - I KNOW. OKAY. 841 00:57:46,897 --> 00:57:48,533 BONNE CHANCE. 842 00:57:48,633 --> 00:57:50,134 - HUH? - GOOD LUCK. 843 00:57:50,234 --> 00:57:51,736 - OH. - ( both laugh ) 844 00:57:52,870 --> 00:57:55,072 THANK YOU. 845 00:57:56,306 --> 00:57:58,909 ( bell rings ) 846 00:58:12,022 --> 00:58:14,258 EXCUSE ME. IS THIS SEAT TAKEN? 847 00:58:15,826 --> 00:58:17,261 NO. 848 00:58:23,167 --> 00:58:25,302 Temple's voice: I'VE ALWAYS WANTED TO UNDERSTAND THE GENTLENESS 849 00:58:25,402 --> 00:58:28,573 THAT OTHER PEOPLE FEEL BY BEING HUGGED BY THEIR MOTHERS. 850 00:58:28,673 --> 00:58:31,942 AND NOW I'VE MADE A MACHINE THAT LETS ME DO THAT. 851 00:58:32,042 --> 00:58:35,613 IT FEELS LIKE A WIRE GETS RECONNECTED, 852 00:58:35,713 --> 00:58:38,215 LIKE SOMETHING GETS REPAIRED. 853 00:58:38,315 --> 00:58:40,350 ( thunder crashes ) 854 00:58:40,450 --> 00:58:42,486 - IF IT WASN'T FOR MY MACHINE... - ( cameras snapping ) 855 00:58:42,587 --> 00:58:44,254 ...I WOULDN'T BE STANDING HERE TODAY. 856 00:58:44,354 --> 00:58:46,557 INSTEAD I'D BE HIDING IN MY ROOM 857 00:58:46,657 --> 00:58:49,059 OR SPINNING IN CIRCLES TO CALM MYSELF 858 00:58:49,159 --> 00:58:50,828 OR HITTING SOMEONE. 859 00:58:50,928 --> 00:58:52,296 ( all laughs ) 860 00:58:52,396 --> 00:58:55,600 WHEN I WAS YOUNGER, I CLOSED MYSELF OFF FROM PEOPLE. 861 00:58:55,700 --> 00:58:58,235 I DIDN'T EVEN SPEAK UNTIL I WAS FOUR. 862 00:58:58,335 --> 00:59:03,908 THERE'S A HIGHFALUTIN' NAME FOR THIS CONDITION: AUTISM. 863 00:59:04,008 --> 00:59:06,811 ( applause ) 864 00:59:10,648 --> 00:59:12,516 BECAUSE OF MY MACHINE, 865 00:59:12,617 --> 00:59:14,418 I'M ABLE TO KNOW THE KINDNESS AND LOVE 866 00:59:14,518 --> 00:59:17,888 THAT HAVE BEEN GIVEN TO ME TO REACH THIS POINT IN MY LIFE. 867 00:59:17,988 --> 00:59:21,659 TODAY MORE THAN EVER, I REALIZE I HAVE NOT WALKED ALONE. 868 00:59:21,759 --> 00:59:26,130 AND I THANK NOT ONLY MY TEACHERS BUT MY FRIENDS AND FAMILY AS WELL. 869 00:59:26,230 --> 00:59:29,934 AS IN THE WORDS OF THE SONG FROM "CAROUSEL": 870 00:59:31,568 --> 00:59:35,405 * WHEN YOU WALK THROUGH A STORM * 871 00:59:35,505 --> 00:59:38,375 * HOLD YOUR HEAD UP HIGH 872 00:59:38,475 --> 00:59:43,648 * AND DON'T BE AFRAID OF THE DARK * 873 00:59:43,748 --> 00:59:46,851 * AT THE END OF A STORM 874 00:59:46,951 --> 00:59:49,720 * IS A GOLDEN SKY 875 00:59:49,820 --> 00:59:56,226 * AND A SWEET SILVER SONG OF A LARK * 876 00:59:56,326 --> 00:59:59,263 * WALK ON THROUGH THE WIND * 877 00:59:59,363 --> 01:00:02,099 * WALK ON THROUGH THE RAIN * 878 01:00:02,199 --> 01:00:05,269 * THOUGH YOUR DREAMS BE TOSSED * 879 01:00:05,369 --> 01:00:07,638 * AND BLOWN 880 01:00:07,738 --> 01:00:09,974 * WALK ON 881 01:00:10,074 --> 01:00:11,508 * WALK ON 882 01:00:11,608 --> 01:00:13,778 * WITH HOPE IN YOUR HEART * 883 01:00:13,878 --> 01:00:18,482 * AND YOU'LL NEVER WALK ALONE * 884 01:00:18,582 --> 01:00:25,656 * YOU'LL NEVER WALK ALONE. * 885 01:00:25,756 --> 01:00:28,258 ( audience cheering ) 886 01:00:37,634 --> 01:00:40,170 YAY! 887 01:00:42,506 --> 01:00:45,642 ( whistling ) 888 01:00:52,817 --> 01:00:55,052 ( chimes clanging faintly ) 889 01:01:43,633 --> 01:01:46,536 THIS IS MY DOOR. 890 01:01:46,636 --> 01:01:49,073 IT OPENS TO ANOTHER WORLD. 891 01:01:52,509 --> 01:01:55,012 ( chimes clanging ) 892 01:02:05,255 --> 01:02:07,291 ( cows mooing ) 893 01:02:21,038 --> 01:02:22,973 ARIZONA STATE STUDENTS, GATHER AROUND. 894 01:02:23,073 --> 01:02:24,809 ALL RIGHT. COME ON, EVERYBODY. 895 01:02:24,909 --> 01:02:26,844 COME ON DOWN THIS WAY. THERE WE GO. 896 01:02:26,944 --> 01:02:28,512 ALL RIGHT, COME ON IN. HERE WE GO. 897 01:02:28,612 --> 01:02:29,914 HERE WE GO. 898 01:02:30,014 --> 01:02:31,315 EVERYBODY, COME ON. LET'S GO. 899 01:02:31,415 --> 01:02:33,851 - ( cows mooing ) - COME ON IN CLOSER NOW. 900 01:02:33,951 --> 01:02:35,185 NOW GATHER AROUND SO YOU CAN HEAR. 901 01:02:35,285 --> 01:02:37,021 ALL RIGHT, CLASS, LISTEN UP. 902 01:02:37,121 --> 01:02:39,656 THIS IS DON MICHAELS. HE RUNS THE FEEDLOT. 903 01:02:39,756 --> 01:02:41,158 THANKS, PROFESSOR. 904 01:02:41,258 --> 01:02:43,660 ALL RIGHT, WHAT WE GOT HERE AT ANY ONE TIME 905 01:02:43,760 --> 01:02:46,063 IS ABOUT 50, 52,000 HEAD OF CATTLE. 906 01:02:46,163 --> 01:02:49,066 NOW THEY GOTTA WEIGH 650 LBS TO GET IN HERE. 907 01:02:49,166 --> 01:02:51,201 DURING THE THREE OR FOUR MONTHS THEY SPEND HERE, 908 01:02:51,301 --> 01:02:52,937 THEY'LL PUT ON ANOTHER 400 LBS 909 01:02:53,037 --> 01:02:54,939 BEFORE THEY MOVE INTO THE BIG HOUSE FOR SLAUGHTERIN'. 910 01:02:55,039 --> 01:02:57,908 WHILE THEY'RE HERE FATTENIN' UP, WE GOT TO KEEP 'EM HEALTHY. 911 01:02:58,008 --> 01:03:00,244 SO ONE OF THE FIRST THINGS WE DO WHEN THEY COME IN 912 01:03:00,344 --> 01:03:02,412 OFF THE RANGE IS PUT 'EM THROUGH A DIP-- 913 01:03:02,512 --> 01:03:04,148 GET RID OF ANY BUGS. 914 01:03:04,248 --> 01:03:06,984 EXCUSE ME THERE, BUDDY. YOU OKAY? 915 01:03:07,084 --> 01:03:09,353 UH, THAT'S A GIRL. MISS GRANDIN. 916 01:03:09,453 --> 01:03:12,089 - ( laughter ) - MISS, ARE YOU WITH US, HERE? 917 01:03:12,189 --> 01:03:14,491 I WAS LISTENING TO THE CATTLE. 918 01:03:14,591 --> 01:03:16,093 OH YEAH? 919 01:03:16,193 --> 01:03:18,863 WHY ARE SOME MOOING MORE LOUDLY THAN OTHERS? 920 01:03:18,963 --> 01:03:20,898 I NEVER HEARD SO MUCH MOOING! 921 01:03:20,998 --> 01:03:22,967 HONEY, I'VE BEEN AROUND CATTLE ALL MY WORKIN' LIFE. 922 01:03:23,067 --> 01:03:25,035 ABOUT ALL I CAN TELL YOU IS, 923 01:03:25,135 --> 01:03:26,837 THAT JUST LIKE THE FEMALE OF THE SPECIES, 924 01:03:26,937 --> 01:03:28,772 CATTLE LOVE TO YAMMER AND GOSSIP... 925 01:03:28,873 --> 01:03:30,140 - ( laughter ) - ...OR SULK. 926 01:03:30,240 --> 01:03:32,809 IT'S ALWAYS JUST ONE THING OR THE OTHER. 927 01:03:32,910 --> 01:03:36,413 - BUT LIKE I WAS SAYIN'-- - WELL, THERE MUST BE A REASON. THEY'RE SAYIN' SOMETHING. 928 01:03:36,513 --> 01:03:39,716 WELL, I RECKON' YOU COULD GET DR. DOOLITTLE ON OUT HERE. 929 01:03:39,816 --> 01:03:41,685 - HE PROBABLY COULD TELL YOU. - ( laughter ) 930 01:03:41,785 --> 01:03:43,387 WHILE MISSY HERE IS LISTENIN' 931 01:03:43,487 --> 01:03:45,389 TO WHAT THE CATTLE ARE SAYIN' TO EACH OTHER, 932 01:03:45,489 --> 01:03:48,425 WHY DON'T YOU BOYS STEP OVER HERE WITH ME AND SEE A DIP IN ACTION? 933 01:03:48,525 --> 01:03:51,595 ( cow screaming ) 934 01:03:51,695 --> 01:03:53,497 - ( whistling ) - ( cow mooing ) 935 01:03:53,597 --> 01:03:57,601 ( men yelling ) 936 01:03:57,701 --> 01:03:59,069 ( cow coughing ) 937 01:03:59,169 --> 01:04:01,605 NOW THE BIGGEST PROBLEM YOU GOT WITH A DIP VAT 938 01:04:01,705 --> 01:04:04,441 IS THAT CATTLE CAN SWIM ALL RIGHT UNLESS THEY TIP ON OVER. 939 01:04:04,541 --> 01:04:07,244 THEN THEM BABIES'LL DROWN REAL FAST ON YA 940 01:04:07,344 --> 01:04:09,213 UNLESS YOU GET A HOLD OF 'EM AND HAUL 'EM OUT. 941 01:04:25,395 --> 01:04:26,630 - ( gasps ) - WELL, THERE YOU GO! 942 01:04:26,730 --> 01:04:28,132 SEE, THIS IS WHAT I WAS TELLIN' YA. 943 01:04:28,232 --> 01:04:29,299 JESUS! 944 01:04:34,604 --> 01:04:37,241 COME ON, BOYS. EARN YOUR MONEY! 945 01:04:37,341 --> 01:04:39,643 - ( gate clatters ) - WHOA! HOLD 'EM UP OVER THERE! 946 01:04:39,743 --> 01:04:42,446 - HOLD 'EM UP! - ( cow screams ) 947 01:04:42,546 --> 01:04:44,548 COME ON, BOYS. WE'RE GONNA LOSE THAT BABY. 948 01:04:47,151 --> 01:04:49,686 ROY! ROY, GET A ROPE ON THIS HEIFER AND DRAG IT OUT! 949 01:04:49,786 --> 01:04:53,390 ( horse whinnies ) 950 01:05:05,535 --> 01:05:07,704 WELL, THERE YOU GO. YOU'LL SEE INSIDE. 951 01:05:07,804 --> 01:05:10,507 IT'LL TAKE MORE THAN THAT TO KILL A COW. 952 01:05:10,607 --> 01:05:12,242 DO YOU LOSE MANY? 953 01:05:12,342 --> 01:05:14,211 WELL, WE GOT TO RUN 300 OF 'EM THROUGH HERE IN AN HOUR. 954 01:05:14,311 --> 01:05:16,913 I GUESS IN A WEEK, WE'LL LOSE ONE OR TWO MAYBE. 955 01:05:17,014 --> 01:05:19,583 - WE'RE DOIN' PRETTY GOOD. - ( whip cracking ) 956 01:05:19,683 --> 01:05:22,486 ( men shouting ) 957 01:05:29,759 --> 01:05:33,763 DOOLITTLE, HOW YOU HOLDIN' UP? TOO MUCH FOR YA? 958 01:05:33,863 --> 01:05:36,566 - ( man whistles ) - THEY LIKE TO WALK IN CIRCLES. 959 01:05:36,666 --> 01:05:38,835 WELL, WHAT DO YOU KNOW, BOYS? 960 01:05:38,935 --> 01:05:40,270 CATTLE LIKE TO WALK IN CIRCLES! 961 01:05:40,370 --> 01:05:42,906 DANG, GIVE THAT GIRL A PRIZE. 962 01:05:43,007 --> 01:05:48,078 IT CALMS 'EM DOWN TO WALK IN CIRCLES AWAY FROM THE HANDLERS. 963 01:05:48,178 --> 01:05:51,248 MAYBE YOU OUGHTA WAIT OUT HERE WHEN WE GO INSIDE. 964 01:05:51,348 --> 01:05:54,618 - ( gate slamming ) - ( cows mooing ) 965 01:05:54,718 --> 01:06:07,964 ( gate opening ) 966 01:06:08,065 --> 01:06:09,799 THEN WHEN WE HAVE IT IN THE CAGE, 967 01:06:09,899 --> 01:06:12,069 IT JUST TAKES ONE KNOCK TO THE HEAD. 968 01:06:16,873 --> 01:06:18,608 ( steam hissing ) 969 01:06:22,346 --> 01:06:24,714 SO, DOOLITTLE, WHAT DO YOU THINK? 970 01:06:27,984 --> 01:06:31,688 - WHERE DOES IT GO? - MEAT PROCESSING. 971 01:06:31,788 --> 01:06:35,592 NO, WHERE DOES IT GO? 972 01:06:35,692 --> 01:06:37,394 IT WAS HERE, NOW IT'S MEAT. 973 01:06:38,962 --> 01:06:41,265 WHERE DID IT GO? 974 01:06:41,365 --> 01:06:44,268 PROFESSOR, I THINK MAYBE YOUR YOUNG LADY HERE 975 01:06:44,368 --> 01:06:46,270 OUGHTA CONSIDER ANOTHER LINE OF WORK. 976 01:07:19,669 --> 01:07:21,605 ( cows mooing ) 977 01:07:28,612 --> 01:07:30,514 MOOING. YOU WANT TO DO RESEARCH 978 01:07:30,614 --> 01:07:32,582 - AND WRITE YOUR MASTER'S ON MOOING. - CURVES. 979 01:07:32,682 --> 01:07:34,251 CATTLE LIKE CURVES. THEY DON'T MOO AT CURVES. 980 01:07:34,351 --> 01:07:37,020 MISS GRANDIN, WHEN WE ACCEPTED YOU, 981 01:07:37,121 --> 01:07:39,456 WE WERE IMPRESSED YOU HAD EXCELLED AT YOUR PREVIOUS SCHOOL. 982 01:07:39,556 --> 01:07:42,326 A MASTER'S THESIS ON MOOING STRIKES ME 983 01:07:42,426 --> 01:07:44,461 AS A LOWERING OF THE BAR AND I, FOR ONE, 984 01:07:44,561 --> 01:07:46,996 WILL NOT BE THE FIRST PERSON TO GIVE YOU AN EASY RIDE 985 01:07:47,097 --> 01:07:48,532 BECAUSE OF YOUR AUTISM. 986 01:07:48,632 --> 01:07:50,567 - COME UP WITH SOMETHING-- - CATTLE ARE PREY ANIMALS. 987 01:07:50,667 --> 01:07:53,737 MY AUTISM ALLOWS ME TO UNDERSTAND PREY ANIMALS WELL. 988 01:07:53,837 --> 01:07:56,072 I CAN VISUALIZE THE FLIGHT ZONES OF CATTLE. 989 01:07:56,173 --> 01:07:58,842 A HANDLER OUTSIDE THE THE FLIGHT ZONE 990 01:07:58,942 --> 01:08:01,811 CAN KEEP AN ANIMAL CIRCLING IN A CALM AND ORDERLY MANNER. 991 01:08:01,911 --> 01:08:04,548 BUT STEPPING INTO THE FLIGHT ZONE PANICS THE CATTLE. 992 01:08:04,648 --> 01:08:06,783 AND-- AND THEY CHANGE FROM SOFT MOOS 993 01:08:06,883 --> 01:08:08,318 TO LOUD MOOING. 994 01:08:08,418 --> 01:08:09,986 LIKE, PREY ANIMALS DON'T MAKE NOISES 995 01:08:10,086 --> 01:08:11,721 THAT WILL DRAW ATTENTION TO THEM 996 01:08:11,821 --> 01:08:13,523 UNLESS THEY'RE TRYING TO WARN OTHER MEMBERS OF THE HERD. 997 01:08:13,623 --> 01:08:15,259 SO THEY'RE WARNING EACH OTHER THEY'RE GOING TO BE SLAUGHTERED? 998 01:08:15,359 --> 01:08:16,926 NO. NO. NO, SIR. 999 01:08:17,026 --> 01:08:18,862 THE-- THE LOUD MOOING IS THE SAME 1000 01:08:18,962 --> 01:08:21,131 WHETHER THEY'RE GONNA BE DIPPED, DRIVEN AROUND A HARD CORNER 1001 01:08:21,231 --> 01:08:23,833 OR TAKEN TO SLAUGHTER. THEY HAVE NO IDEA WHAT'S GONNA HAPPEN TO 'EM, 1002 01:08:23,933 --> 01:08:26,069 - I'M GLAD WE AGREE ON THAT. - BUT THEY'RE SPOOKED. 1003 01:08:26,170 --> 01:08:28,472 SPOOKED CATTLE DON'T ACT STRAIGHT. 1004 01:08:28,572 --> 01:08:32,242 THEY GET BRUISED, SCRAPED, DROWNED, 1005 01:08:32,342 --> 01:08:33,777 AND THAT ALL COSTS MONEY. 1006 01:08:33,877 --> 01:08:36,680 AND IT TAKES A GOOD HALF HOUR TO CALM A HERD 1007 01:08:36,780 --> 01:08:38,014 AND THAT COSTS MONEY TOO. 1008 01:08:38,114 --> 01:08:39,616 IT'S NOT A GOOD WAY TO RUN A STOCKYARD. 1009 01:08:39,716 --> 01:08:42,186 AND I BELIEVE WHAT'S GOOD FOR CATTLE 1010 01:08:42,286 --> 01:08:44,688 IS ALSO GOOD FOR BUSINESS. 1011 01:08:46,490 --> 01:08:48,992 HMM. 1012 01:08:49,092 --> 01:08:52,662 WELL, GET THE YARD TO SIGN OFF ON IT. 1013 01:08:52,762 --> 01:08:54,298 YOU MEAN DON. 1014 01:08:54,398 --> 01:08:56,266 THAT'S WHO'S IN CHARGE. 1015 01:09:03,173 --> 01:09:05,442 SORRY, MA'AM. NO WOMEN ON THE LOT. 1016 01:09:05,542 --> 01:09:07,844 MY NAME IS TEMPLE GRANDIN. 1017 01:09:07,944 --> 01:09:10,680 - I'M A GRAD STUDENT AT ARIZONA STATE. - THAT'S THE RULES, MA'AM. 1018 01:09:10,780 --> 01:09:14,751 I'M A GRAD STUDENT AT ARIZONA STATE AND I WAS HERE LAST WEEK. 1019 01:09:14,851 --> 01:09:16,353 COMPLAINTS FROM COWBOYS' WIVES. 1020 01:09:16,453 --> 01:09:17,887 THEY JUST DON'T WANT NO WOMEN ON THE YARD. 1021 01:09:17,987 --> 01:09:19,623 I'M JUST DOIN' MY JOB. 1022 01:09:19,723 --> 01:09:23,893 - ( horns honking ) - ( cowboys chuckle ) 1023 01:09:23,993 --> 01:09:26,029 MA'AM, YOU'RE HOLDIN' UP THE LINE. 1024 01:09:26,129 --> 01:09:28,398 YOU'RE GOING TO HAVE TO TURN AROUND AND TAKE IT ON OFF THE LOT. 1025 01:09:28,498 --> 01:09:30,267 PLEASE. 1026 01:09:33,937 --> 01:09:35,439 Cowboy: DON'T COME BACK. 1027 01:09:37,207 --> 01:09:40,109 JOHN RICHMOND, PRESS, "RANCHMAN MAGAZINE." 1028 01:09:40,210 --> 01:09:42,279 GO ON IN. 1029 01:09:50,019 --> 01:09:52,222 Temple's voice: IT'S A DOOR. 1030 01:09:52,322 --> 01:09:54,424 IT'S ANOTHER DOOR. 1031 01:10:06,069 --> 01:10:07,971 THANKS, MA'AM. TAKE CARE. 1032 01:10:26,656 --> 01:10:28,458 ( cow mooing ) 1033 01:10:44,741 --> 01:10:46,410 - GOOD MORNIN'. - GO ON IN. 1034 01:10:54,083 --> 01:10:57,721 - MORNIN'. - GO ON IN. 1035 01:10:57,821 --> 01:11:00,023 ( giggles ) 1036 01:11:01,958 --> 01:11:03,293 ( men conversing ) 1037 01:11:03,393 --> 01:11:06,229 Don: HI, SANCH. GOOD TO HAVE YOU BACK, SON. 1038 01:11:06,330 --> 01:11:08,532 - SEEMS LIKE A LONG TIME SINCE YOU WORKED OUT HERE. - Sanch: YEAH, IT DOES. 1039 01:11:08,632 --> 01:11:11,267 - Don: WHAT IS THIS, A PURPLE HEART? - YEAH, IT IS. 1040 01:11:11,368 --> 01:11:13,603 Don: WE'RE REAL PROUD OF YA. JEEZ, SANCH, 1041 01:11:13,703 --> 01:11:15,605 YOU DIDN'T GET ALL THESE JUST DIGGIN' LATRINES. 1042 01:11:15,705 --> 01:11:17,674 - NO, SIR. I WAS IN KHE SANH. - GOOD FOR YOU. 1043 01:11:17,774 --> 01:11:20,477 EXCUSE ME, SIR. I NEED YOU TO SIGN OFF ON MY MASTER'S THESIS. 1044 01:11:20,577 --> 01:11:24,113 - HOW'D YOU GET IN HERE? - THEY JUST WAVED ME IN. 1045 01:11:24,213 --> 01:11:25,849 WELL, WHAT ARE YOU GONNA RESEARCH? 1046 01:11:25,949 --> 01:11:29,619 - AGITATION IN CATTLE. - WOULD THAT BE MOOING? 1047 01:11:29,719 --> 01:11:31,821 ( laughs ) YOU BELIEVE THAT CRAP? 1048 01:11:31,921 --> 01:11:34,691 SINCE CATTLE ARE PREY ANIMALS, LOUD MOOING IS A SIGN OF-- 1049 01:11:34,791 --> 01:11:35,792 NO WAY. 1050 01:11:35,892 --> 01:11:38,828 COME ON, SANCH, LET'S GET SOME COFFEE. 1051 01:11:38,928 --> 01:11:41,531 SAY, DID YOU BRING BACK ONE OF THEM LITTLE CHINA GALS WITH YA? 1052 01:11:41,631 --> 01:11:43,733 NO, THEY WOULDN'T LET ME BRING BACK ONE ON THE AIRPLANE. 1053 01:11:43,833 --> 01:11:47,404 Don: YOU GIRLS GOT THE COFFEE READY IN HERE? 1054 01:11:47,504 --> 01:11:50,273 - WE GOT A MAN THAT'S THIRSTY. - Woman: COME ON IN! 1055 01:11:50,374 --> 01:11:52,609 - ( door closes ) - ( cows mooing ) 1056 01:12:16,232 --> 01:12:18,635 DO YOU HAVE ANOTHER ENTRANCE? 1057 01:12:18,735 --> 01:12:20,670 PARDON? 1058 01:12:20,770 --> 01:12:23,773 DO YOU HAVE ANOTHER ENTRANCE? 1059 01:12:23,873 --> 01:12:25,442 NO, MA'AM. 1060 01:12:25,542 --> 01:12:29,513 ( distant train whistle blowing ) 1061 01:12:29,613 --> 01:12:31,548 ( shop bell dings ) 1062 01:12:33,149 --> 01:12:37,286 ( Spanish music on radio ) 1063 01:12:37,387 --> 01:12:39,489 DO YOU HAVE ANY JELL-O OR YOGURT? 1064 01:12:39,589 --> 01:12:42,125 IN THE COOLER. RIGHT BEHIND YOU, DARLIN'. 1065 01:12:45,228 --> 01:12:47,564 ( romantic music on TV ) 1066 01:13:12,288 --> 01:13:14,824 ( roaring ) 1067 01:13:14,924 --> 01:13:16,626 Narrator on TV: By eating the weaker and slower ones, 1068 01:13:16,726 --> 01:13:18,462 lions keep the antelope population 1069 01:13:18,562 --> 01:13:21,330 strong and in proper proportion 1070 01:13:21,431 --> 01:13:24,701 to all other animals. 1071 01:13:24,801 --> 01:13:26,503 ( cow moos ) 1072 01:13:43,487 --> 01:13:45,421 ( men conversing ) 1073 01:13:45,522 --> 01:13:47,190 ( cows moos ) 1074 01:13:47,290 --> 01:13:49,859 LIGHT. SHADOW. 1075 01:14:04,307 --> 01:14:07,443 - ( cow moos ) - REFLECTIONS ON PUDDLE. 1076 01:14:07,544 --> 01:14:10,547 - ( chain clinking ) - ( cow moos ) 1077 01:14:25,562 --> 01:14:30,734 - ( men conversing ) - ( crows cawing ) 1078 01:14:44,080 --> 01:14:46,750 ( men laughing ) 1079 01:14:48,618 --> 01:14:50,520 I'VE EATEN BULLS' TESTICLES! 1080 01:14:50,620 --> 01:14:52,622 ATE 'EM IN MY AUNT'S RANCH... 1081 01:14:52,722 --> 01:14:55,592 - REGULARLY! - ( men laughing ) 1082 01:14:58,094 --> 01:15:00,063 THIS IS A WASTE! 1083 01:15:24,520 --> 01:15:28,191 ( crying ) 1084 01:15:32,662 --> 01:15:35,231 ( machine hissing ) 1085 01:15:41,871 --> 01:15:44,574 - ( birds chirping ) - ( cows mooing ) 1086 01:15:53,917 --> 01:15:55,952 ( man whistles ) HEY! 1087 01:15:56,052 --> 01:15:58,888 YOU GOTTA REMEMBER TO DRINK OUT HERE. 1088 01:15:58,988 --> 01:16:03,059 WELL, I HAVE DATA ON THINGS THAT MAKE 'EM BALK-- LIKE SHADOWS, 1089 01:16:03,159 --> 01:16:05,795 REFLECTIONS ON WATER, OR CHAIN GLINTING IN THE SUN. 1090 01:16:05,895 --> 01:16:07,430 - IS THAT RIGHT? - THEY WON'T WALK INTO SHADED AREAS. 1091 01:16:07,530 --> 01:16:08,865 THEY NEED TO SEE WHERE THEY'RE GOIN'. 1092 01:16:08,965 --> 01:16:10,566 I'VE LOTS OF IMPORTANT INFORMATION ON ALL THIS 1093 01:16:10,667 --> 01:16:12,435 AND I NEED MR. MICHAELS TO SIGN OFF ON IT. 1094 01:16:12,535 --> 01:16:14,537 DON? DON DON'T SIGN NOTHIN'. 1095 01:16:14,638 --> 01:16:16,806 - I NEED MR. MICHAELS-- - YOU'RE NOT HEARIN' ME. 1096 01:16:16,906 --> 01:16:19,242 DON DON'T SIGN NOTHIN'. 1097 01:16:19,342 --> 01:16:21,477 I SIGN EVERYTHING AROUND HERE. 1098 01:16:21,577 --> 01:16:25,414 HIS SIGNATURE, BUT I DO THE SIGNIN'. 1099 01:16:25,514 --> 01:16:28,317 I'M NOT EVEN SURE IF DON CAN WRITE. 1100 01:16:28,417 --> 01:16:30,253 ( laughs ) 1101 01:16:30,353 --> 01:16:35,191 SAY, UH, YOU'RE INTERESTED IN CATTLE AND HOW CATTLE ACT, 1102 01:16:35,291 --> 01:16:36,793 YOU SHOULDN'T JUST HANG AROUND FEEDLOTS. 1103 01:16:36,893 --> 01:16:41,064 YOU SHOULD BE OUT ON RANCHES, AUCTIONS, RODEOS, 1104 01:16:41,164 --> 01:16:43,266 THAT SORT OF THING. 1105 01:16:48,805 --> 01:16:50,874 Auctioneer: GOT THE BIG STEER HERE. 1,000 LBS. 1106 01:16:50,974 --> 01:16:53,910 LET'S GO! 20. 25. 25 AND A HALF. 1107 01:16:54,010 --> 01:16:56,780 - 25 AND A HALF, 75. HE'S 25 AND A HALF, 75. - HE LOOKS MEAN. 1108 01:16:56,880 --> 01:17:01,384 25, 65. 75 75. 30 30 30 30. SOLD HIM ON PAT 17. 1109 01:17:03,152 --> 01:17:06,422 LOOK AT HIS MAMA HERE. NOW, 75, I GOT 25. 1110 01:17:06,522 --> 01:17:08,557 25 25 25. 27 AND A HALF. 1111 01:17:08,658 --> 01:17:10,727 HE'S 27 AND A HALF. 30. 32 AND A HALF. 35. 1112 01:17:10,827 --> 01:17:13,029 SOLD 'EM. PAT 21. PAT 21. 1113 01:17:13,129 --> 01:17:29,412 - ( gate opens ) - ( chattering ) 1114 01:17:29,512 --> 01:17:31,080 YEAH, IT'S A GOOD MAGAZINE. I'D LIKE YOU TO TAKE A LOOK AT-- 1115 01:17:31,180 --> 01:17:33,116 HELP YOU OUT WITH ALL KINDS OF CATTLE QUESTIONS. 1116 01:17:33,216 --> 01:17:37,053 ( auctioneer continues chattering ) 1117 01:17:37,153 --> 01:17:39,122 SEE YOU BACK HERE IN ABOUT FIVE MINUTES, OKAY? 1118 01:17:40,089 --> 01:17:41,324 EXCUSE-- 1119 01:17:45,762 --> 01:17:48,197 IT'S ALL DOORS TO NEW WORLDS. 1120 01:17:54,137 --> 01:17:56,239 ( cows mooing ) 1121 01:17:57,373 --> 01:17:59,075 EXCUSE ME, SIR? SIR? 1122 01:17:59,175 --> 01:18:00,643 I'M VERY PLEASED TO MEET YOU. 1123 01:18:00,744 --> 01:18:02,678 I'M TEMPLE GRANDIN, A BACHELOR OF SCIENCE 1124 01:18:02,779 --> 01:18:04,613 DOIN' MY MASTERS HERE AT ARIZONA STATE, 1125 01:18:04,714 --> 01:18:06,082 CURRENTLY STUDYING IN SCOTTSDALE FEED YARDS 1126 01:18:06,182 --> 01:18:08,151 AND I WAS WONDERING IF I COULD INTEREST 1127 01:18:08,251 --> 01:18:11,320 "THE ARIZONA FARMER- RANCHMAN" PERIODICAL ON A THESIS I'M WRITING 1128 01:18:11,420 --> 01:18:12,822 ON CONTROL SYSTEMS AND CATTLE 1129 01:18:12,922 --> 01:18:14,590 AND WHY SOME WORK BETTER THAN OTHERS 1130 01:18:14,690 --> 01:18:17,093 AND HOW THEY CAN TELL THE DIFFERENCE. 1131 01:18:17,193 --> 01:18:22,098 HOW'D YOU GET ON WITH OLD DON MICHAELS OVER AT SCOTTSDALE? 1132 01:18:22,198 --> 01:18:24,367 I TOLD HIM I'VE EATEN BULL TESTICLES, SIR. 1133 01:18:26,435 --> 01:18:28,838 WELL, I WILL READ ANYTHING YOU SEND IN, MISS GRANDIN. 1134 01:18:28,938 --> 01:18:31,040 IN FACT, HERE-- TAKE MY CARD. 1135 01:18:31,140 --> 01:18:33,642 YOU ADDRESS IT DIRECTLY TO ME. 1136 01:18:33,743 --> 01:18:35,745 THANK YOU, SIR. 1137 01:18:35,845 --> 01:18:38,714 THANK YOU! 1138 01:18:40,183 --> 01:18:41,717 - ( phone ringing ) - ( knocks on door ) 1139 01:18:41,818 --> 01:18:43,486 IT'S OPEN. 1140 01:18:43,586 --> 01:18:46,022 SIR, SCOTTSDALE FEEDLOT SIGNED OFF 1141 01:18:46,122 --> 01:18:47,857 ON MY CATTLE AGITATION STUDY. 1142 01:18:47,957 --> 01:18:51,094 SMELLS LIKE HALF THE HERD SIGNED IT FIRST. 1143 01:18:51,194 --> 01:18:54,063 - ( moos ) - NO, SIR. CATTLE CAN'T DO THAT. 1144 01:18:54,163 --> 01:18:56,299 AND I DON'T NEED THE MAGAZINE. I'M A SUBSCRIBER. 1145 01:18:56,399 --> 01:18:59,002 OH, WELL, I JUST WANTED TO MAKE SURE YOU SAW MY ARTICLE 1146 01:18:59,102 --> 01:19:00,970 ON MOOING AS A GUIDE TO CATTLE AGITATION. 1147 01:19:01,070 --> 01:19:03,039 FULL THESIS IS STILL AT THE TYPIST, 1148 01:19:03,139 --> 01:19:05,741 - BUT YOU SHOULD HAVE IT BY FRIDAY. - TEMPLE? 1149 01:19:05,842 --> 01:19:07,911 ( sigh ) 1150 01:19:08,011 --> 01:19:12,281 - ( crackling ) - ( people chatting ) 1151 01:19:12,381 --> 01:19:13,883 * SILVER BELLS 1152 01:19:13,983 --> 01:19:16,119 * Silver bells... 1153 01:19:16,219 --> 01:19:18,855 TEMPLE! 1154 01:19:18,955 --> 01:19:20,790 WELL, MASTER OF SCIENCE. 1155 01:19:20,890 --> 01:19:23,126 MASTER OF SCIENCE AND ANIMAL SCIENCE. 1156 01:19:23,226 --> 01:19:24,560 FANTASTIC. 1157 01:19:24,660 --> 01:19:26,129 I'LL BET YOU'RE GLAD TO BE BACK EAST. 1158 01:19:26,229 --> 01:19:29,332 - I LIKE THE WEST. - OH, SO DO I, 1159 01:19:29,432 --> 01:19:30,766 BUT IT ISN'T HOME, IS IT? 1160 01:19:30,867 --> 01:19:32,735 WHAT WILL YOU DO WITH YOUR MASTERS? 1161 01:19:32,836 --> 01:19:34,703 YOUR MOTHER MENTIONED TEACHING MAYBE. 1162 01:19:34,804 --> 01:19:37,006 GREAT NEW SCHOOL OVER WEST MEDFORD WAY. 1163 01:19:37,106 --> 01:19:39,275 I HAVE A LOT OF MORE RESEARCH TO DO AND THINGS TO WRITE. 1164 01:19:39,375 --> 01:19:41,310 THAT'S RIGHT, YOU'VE BEEN PUBLISHED. 1165 01:19:41,410 --> 01:19:42,812 YOU REMEMBER SCOTT? 1166 01:19:42,912 --> 01:19:44,613 - SCOTT? - SCOTT? 1167 01:19:44,713 --> 01:19:46,215 SCOTTY, OVER HERE. 1168 01:19:46,315 --> 01:19:47,817 - I'LL BE RIGHT BACK. - HE'S OUR OLDEST BOY. 1169 01:19:47,917 --> 01:19:50,619 "NEW YORK" MAGAZINE'S TAKEN A PIECE OF HIS. 1170 01:19:50,719 --> 01:19:52,788 YOU REMEMBER SCOTT? 1171 01:19:52,889 --> 01:19:54,790 HE USED TO SPIT IN MY JELL-O. 1172 01:19:54,891 --> 01:19:56,292 OH, I'M SURE HE DIDN'T. 1173 01:19:56,392 --> 01:19:59,728 ( laugh ) TEMPLE, TELL SCOTT ABOUT YOUR WRITING. 1174 01:19:59,829 --> 01:20:02,798 PUBLISHED TWO ARTICLES 1175 01:20:02,899 --> 01:20:04,333 IN "THE ARIZONA FARMER-RANCHMAN." 1176 01:20:04,433 --> 01:20:07,303 - "THE ARIZONA"-- - "THE ARIZONA FARMER-RANCHMAN." 1177 01:20:07,403 --> 01:20:09,973 ONE WAS ON GOOD MOOS AND BAD MOOS. 1178 01:20:10,073 --> 01:20:11,740 THE OTHER WAS ON HEAD RESTRAINTS 1179 01:20:11,841 --> 01:20:13,476 AND CATTLE CHUTES AND KILLING PENS. 1180 01:20:13,576 --> 01:20:16,212 THEY'RE REALLY BADLY DESIGNED. JUST TERRIBLE SYSTEMS. 1181 01:20:16,312 --> 01:20:18,214 - JUST-- - WOW. 1182 01:20:18,314 --> 01:20:20,917 IT'S LOVELY TO SEE YOU, TEMPLE. 1183 01:20:21,017 --> 01:20:24,387 - BYE. - MERRY CHRISTMAS. 1184 01:20:25,855 --> 01:20:28,892 MERRY CHRISTMAS! 1185 01:20:28,992 --> 01:20:31,127 I NEED MY SQUEEZE MACHINE! 1186 01:20:31,227 --> 01:20:32,996 ( crying ) 1187 01:20:36,432 --> 01:20:38,534 I HATE PARTIES. 1188 01:20:38,634 --> 01:20:42,105 THERE ARE TOO MANY PEOPLE AND NO ONE LISTENS TO ME. 1189 01:20:42,205 --> 01:20:43,806 AND THEY KEEP GIVING EACH OTHER LOOKS 1190 01:20:43,907 --> 01:20:45,208 AND I DON'T KNOW WHAT THEY MEAN. 1191 01:20:45,308 --> 01:20:47,443 THEY'RE JUST UNCOMFORTABLE. 1192 01:20:47,543 --> 01:20:52,781 PEOPLE DON'T WANT TO HEAR ALL THOSE DETAILS ABOUT CATTLE. 1193 01:20:52,882 --> 01:20:54,850 WELL, I DO. I WANNA BE WITH CATTLE. 1194 01:20:54,951 --> 01:20:58,754 SWEETHEART, I DON'T WANT YOU TO AVOID PEOPLE. 1195 01:20:58,854 --> 01:21:01,991 - THEY MAKE ME FEEL BAD. - THEN IGNORE THEM. 1196 01:21:02,091 --> 01:21:07,897 YOU ARE THE ONLY MASTER OF SCIENCE IN THE ROOM. 1197 01:21:07,997 --> 01:21:12,168 AND I AM SO PROUD OF YOU. 1198 01:21:12,268 --> 01:21:15,538 TEMPLE, LOOK AT ME. LOOK AT ME. 1199 01:21:15,638 --> 01:21:21,277 DO YOU KNOW IF PEOPLE TELL EACH OTHER THINGS WITH THEIR EYES, 1200 01:21:21,377 --> 01:21:27,416 THIS IS ME TELLING YOU THAT I LOVE YOU AND I RESPECT YOU? 1201 01:21:36,359 --> 01:21:39,028 I WILL NEVER LEARN HOW TO DO THAT. 1202 01:21:41,297 --> 01:21:43,199 I KNOW. 1203 01:21:55,511 --> 01:21:58,381 ( cows mooing ) 1204 01:22:06,789 --> 01:22:08,857 HEY! 1205 01:22:08,958 --> 01:22:10,926 DAMN IT! 1206 01:22:11,027 --> 01:22:12,595 YOU ARE NOT ALLOWED IN HERE. 1207 01:22:12,695 --> 01:22:14,730 - I'M DOIN' RESEARCH FOR AN ARTICLE. - NO, MA'AM. 1208 01:22:14,830 --> 01:22:16,432 WE PUT UP WITH YOU SNEAKIN' IN HERE 1209 01:22:16,532 --> 01:22:18,567 WHEN YOU WAS AT ARIZONA STATE, BUT YOU'RE DONE WITH THAT. 1210 01:22:18,667 --> 01:22:23,039 NO COLLEGE, NO INSURANCE COVERAGE, NO ACCESS. 1211 01:22:35,818 --> 01:22:37,987 THERE ARE MANY OTHER ARTICLES I WOULD LIKE TO WRITE FOR YOU. 1212 01:22:38,087 --> 01:22:41,024 FIRSTLY, HOW CATTLE CAN BE INTRODUCED INTO DIP VATS ON THEIR OWN ACCORD. 1213 01:22:41,124 --> 01:22:43,792 - SECONDLY-- - H-HOLD ON, MISS GRANDIN. 1214 01:22:43,892 --> 01:22:47,463 FIRSTLY, YOUR ARTICLES HAVE BEEN GREATLY APPRECIATED. 1215 01:22:47,563 --> 01:22:48,597 I GOT A LOT OF CALLS. 1216 01:22:48,697 --> 01:22:50,366 FOLKS THINK YOU TALK SENSE. 1217 01:22:50,466 --> 01:22:53,469 SECONDLY, I TOLD YOU I WOULD READ ANYTHING THAT YOU WRITE. 1218 01:22:53,569 --> 01:22:57,406 THIRDLY, YOUNG LADY, YOU NEED ANOTHER SET OF CLOTHES 1219 01:22:57,506 --> 01:22:58,874 WHEN YOU COME INTO TOWN ON BUSINESS. 1220 01:22:58,974 --> 01:23:00,609 I NEED TO BE AN ACCREDITED PRESS PERSON. 1221 01:23:00,709 --> 01:23:02,345 C-CAN I GET A PRESS PASS? 1222 01:23:02,445 --> 01:23:04,080 YOU ASKIN' FOR A STAFF JOB? 1223 01:23:04,180 --> 01:23:08,084 I AIN'T GOT BUT FOUR STAFF, AND-- AND TWO OF THEM 1224 01:23:08,184 --> 01:23:09,718 ARE BOOKKEEPING AND DISTRIBUTION. 1225 01:23:09,818 --> 01:23:11,020 NO, I DON'T WANNA WORK HERE. 1226 01:23:11,120 --> 01:23:12,988 I WANNA BE WITH CATTLE, SO I NEED A PASS. 1227 01:23:13,089 --> 01:23:15,458 W-WELL, WE CAN DO THAT. 1228 01:23:15,558 --> 01:23:17,693 BUT LIKE I SAID-- 1229 01:23:18,761 --> 01:23:21,997 MARY-ANNE? GET IN HERE. 1230 01:23:23,366 --> 01:23:24,867 SIR? 1231 01:23:24,967 --> 01:23:27,136 HOW'S THAT WORKIN' FOR YA, MISS GRANDIN? 1232 01:23:27,236 --> 01:23:29,004 IT DOESN'T ITCH. 1233 01:23:29,105 --> 01:23:30,439 I LIKE IT A LOT. 1234 01:23:36,245 --> 01:23:37,780 THAT'S MY RANK. 1235 01:23:37,880 --> 01:23:40,316 THEY'LL BE ABLE TO SEE THAT. 1236 01:23:42,017 --> 01:23:43,752 - ( giggling ) - HEY, WHAT-- 1237 01:23:43,852 --> 01:23:45,221 DAMN IT! 1238 01:24:00,203 --> 01:24:02,738 USE IT, TEMPLE. YOU STINK. 1239 01:24:02,838 --> 01:24:05,241 - THANK YOU. - TEMPLE? 1240 01:24:05,341 --> 01:24:07,210 MISS TEMPLE GRANDIN? 1241 01:24:07,310 --> 01:24:10,579 I'M TED GILBERT, FROM JOHN WAYNE'S RED RIVER FEEDLOT. 1242 01:24:10,679 --> 01:24:12,448 HELLO, I'M VERY PLEASED TO MEET YOU. 1243 01:24:12,548 --> 01:24:14,217 HELL, I'VE BEEN READING YOUR STUFF. 1244 01:24:14,317 --> 01:24:16,085 HOW'D YOU LIKE TO PUT IT INTO PRACTICE? 1245 01:24:16,185 --> 01:24:18,053 SEE, I LOST MY DESIGNER 1246 01:24:18,154 --> 01:24:19,988 AND, UH, I NEED A NEW CATTLE DIP. 1247 01:24:20,089 --> 01:24:21,790 CAN YOU DO IT? 1248 01:24:21,890 --> 01:24:26,495 IT'S PRETTY SIMPLE, BUT, UH, I GOT TO PRESENT PLANS IN FIVE DAYS. 1249 01:24:26,595 --> 01:24:28,331 SURE! 1250 01:24:34,570 --> 01:24:36,239 ( moos ) 1251 01:25:09,472 --> 01:25:12,007 THIS IS VERY CLEVER. HOW DID YOU COME UP WITH THIS? 1252 01:25:12,107 --> 01:25:13,676 I JUST SEE THINGS AND PUT 'EM TOGETHER. 1253 01:25:13,776 --> 01:25:15,010 - SO HOW LONG WILL IT TAKE YA TO-- - AND ALL THIS? 1254 01:25:15,110 --> 01:25:16,479 THAT'S TO LEAD THE CATTLE IN. 1255 01:25:16,579 --> 01:25:18,481 THEY'RE HAPPY TO FOLLOW A CURVE 'CAUSE THEY THINK 1256 01:25:18,581 --> 01:25:20,383 - THEY'RE GOIN' BACK TO WHERE THEY CAME FROM. - IF YOU SAY SO. 1257 01:25:20,483 --> 01:25:23,018 WELL, I DO. SO H-HOW LONG WILL IT TAKE YOU TO DO IT? 1258 01:25:23,118 --> 01:25:25,521 WELL, I HAVE TWO OR THREE MORE BEFORE THIS. 1259 01:25:25,621 --> 01:25:28,491 - BUT I NEED IT BY TOMORROW! - EVERYBODY NEEDS IT TOMORROW. 1260 01:25:33,095 --> 01:25:35,831 - I WON'T WORK ANY QUICKER WITH YOU WATCHING. - I WANNA WATCH. 1261 01:25:35,931 --> 01:25:37,400 OKAY. 1262 01:26:23,011 --> 01:26:24,547 Ted: HEY, TEMPLE? 1263 01:26:24,647 --> 01:26:27,182 THIS HERE IS RED HARRIS FROM "CATTLE MAGAZINE." 1264 01:26:27,283 --> 01:26:29,084 VERY NICE TO MEET YOU, MR. HARRIS. 1265 01:26:29,184 --> 01:26:31,354 YEAH, WELL, RED, HE CAN'T MAKE THE GRAND OPENING TOMORROW, 1266 01:26:31,454 --> 01:26:33,088 SO I THOUGHT WE'D GIVE HIM A SNEAK PREVIEW. 1267 01:26:33,188 --> 01:26:36,091 SO, TEMPLE, WILL YOU PUT SOME CATTLE THROUGH YOUR DIP WHILE I'M HERE? 1268 01:26:36,191 --> 01:26:37,826 OKAY. 1269 01:26:37,926 --> 01:26:40,429 HEY, OPEN THE GATE! 1270 01:26:45,968 --> 01:26:50,138 SO IF THE HANDLERS WALK SLOWLY CLOCKWISE OUTSIDE THE CHUTE, 1271 01:26:50,239 --> 01:26:56,078 THEN THE COW WILL WALK COUNTERCLOCKWISE THROUGH THE CHUTE. 1272 01:26:56,178 --> 01:26:59,715 SEE? THEY'LL JUST FOLLOW THAT CURVE. 1273 01:27:02,451 --> 01:27:04,920 THE CATTLE JUST KEEP CALMLY WALKING 1274 01:27:05,020 --> 01:27:08,056 THINKING THEY'RE GOIN' IN CIRCLES AND FOLLOWIN' THEIR BUDDIES. 1275 01:27:08,156 --> 01:27:11,327 AND THEY'RE HAPPY TO FOLLOW A CURVE 1276 01:27:11,427 --> 01:27:12,861 BECAUSE THEY THINK THEY'RE GOING' BACK 1277 01:27:12,961 --> 01:27:15,531 TO WHERE THEY CAME FROM. 1278 01:27:15,631 --> 01:27:17,165 THEY'RE OKAY BECAUSE IT'S GROOVED 1279 01:27:17,266 --> 01:27:18,701 AND THEY KNOW THEY WON'T SLIP. 1280 01:27:18,801 --> 01:27:21,236 SO WHEN THEY TAKE THE NEXT STEP, THEIR CENTER OF GRAVITY 1281 01:27:21,337 --> 01:27:23,071 MAKES THEM DROP CALMLY INTO THE DIP 1282 01:27:23,171 --> 01:27:24,940 AND THEY JUST WALK THROUGH THE WATER. 1283 01:27:38,086 --> 01:27:40,255 Red: I DON'T USUALLY TELL PEOPLE WHAT I'M GONNA WRITE, 1284 01:27:40,356 --> 01:27:43,125 BUT, MISS GRANDIN, THIS IS A MASTERPIECE. 1285 01:27:43,225 --> 01:27:44,793 ( all laugh ) 1286 01:27:49,131 --> 01:27:50,999 - HEY. - I DON'T WANT TO DO THAT. 1287 01:27:51,099 --> 01:27:53,168 I'M SORRY THERE, TEMPLE. 1288 01:27:53,268 --> 01:27:56,605 NOW, LOOK, I WANT YOU TO BE DRESSED IN YOUR BEST OUTFIT TOMORROW MORNIN', OKAY? 1289 01:27:56,705 --> 01:27:58,974 OKAY. 1290 01:28:07,383 --> 01:28:09,452 ( cows mooing ) 1291 01:28:12,655 --> 01:28:13,956 JUST LOOK AT THIS THING. 1292 01:28:14,056 --> 01:28:17,225 IT'LL TAKE US FOREVER TO GET THEM THROUGH HERE. 1293 01:28:17,326 --> 01:28:19,261 J.D., I WANT YOU TO GET THE TORCH AND RED, 1294 01:28:19,362 --> 01:28:20,863 AND I WANT THIS OUT, THIS OUT, 1295 01:28:20,963 --> 01:28:22,531 I WANT THOSE PANELS LINED UP 1296 01:28:22,631 --> 01:28:24,266 AND WE'RE GONNA RUN 'EM STRAIGHT IN. COME ON, BOYS. 1297 01:28:24,367 --> 01:28:25,668 YOU TWO COME WITH ME. 1298 01:28:25,768 --> 01:28:27,636 - GRAB THE OTHER END OF THIS. - NOW HOLD ON! 1299 01:28:27,736 --> 01:28:30,606 LOOK AT THIS! I MEAN, LOOK AT THAT! 1300 01:28:30,706 --> 01:28:32,274 WHO'D BUILD SOMETHIN' LIKE THAT? 1301 01:28:32,375 --> 01:28:34,610 JESS, GET ME SOME SHEET STEEL. 1302 01:28:34,710 --> 01:28:36,244 WE'RE GONNA SLIDE THESE PUPPIES IN HERE. 1303 01:28:36,345 --> 01:28:38,347 - WHERE'S THAT SHEET STEEL? - HURRY UP! 1304 01:28:48,624 --> 01:28:50,893 LET'S GO. GET UP. 1305 01:28:50,993 --> 01:28:53,028 - PUT 'EM OVER IN THAT PILE AND GET 'EM OUT OF HERE. - SHE'S HERE. 1306 01:28:53,128 --> 01:28:55,364 DON'T KEEP WORRIED, BOYS. I'LL TAKE CARE OF HER. 1307 01:28:55,464 --> 01:28:56,899 PICK IT UP. 1308 01:29:02,905 --> 01:29:04,840 SOME DIP YOU GOT HERE. 1309 01:29:10,446 --> 01:29:12,648 WHO PUT STEEL ON THAT SLOPE? 1310 01:29:12,748 --> 01:29:14,517 CATTLE CAN'T WALK ON STEEL! 1311 01:29:14,617 --> 01:29:17,319 THAT'S DESIGNED SO THEY'LL WALK SLOWLY! 1312 01:29:17,420 --> 01:29:20,956 'SCUSE ME, LITTLE MISS. WE JUST HAD THREE HEAD DROWN IN HERE. 1313 01:29:21,056 --> 01:29:24,727 THAT'S YOUR FAULT! YOU KILLED 'EM 'CAUSE OF YOUR STUPIDITY! 1314 01:29:27,696 --> 01:29:29,732 AND WHY AIN'T THEY COMIN' THROUGH THE CURVED CHUTE? 1315 01:29:29,832 --> 01:29:31,900 THAT'D TAKE US ALL DAY LITTLE LADY! 1316 01:29:32,000 --> 01:29:35,103 HEY, THAT'S MY SHIRT! 1317 01:29:35,203 --> 01:29:37,706 IF IT'S SMOOTH, THEY'LL FOLLOW IT! 1318 01:29:37,806 --> 01:29:40,042 IF THERE'S STUFF ON IT, THEY'LL GET SCARED! 1319 01:29:40,142 --> 01:29:41,810 YOU CAN'T HANG THINGS! 1320 01:29:41,910 --> 01:29:44,780 - YOU WACKO! - PUT IT ALL BACK THE WAY IT WAS! 1321 01:29:44,880 --> 01:29:46,982 Ted: TEMPLE, WHAT'S GOIN' ON HERE? 1322 01:29:47,082 --> 01:29:50,953 THEY KILLED THREE CATTLE BECAUSE OF THEIR STUPIDITY! 1323 01:29:51,053 --> 01:29:53,422 THEY RUINED IT! 1324 01:29:54,957 --> 01:29:57,726 - ( knocking on door ) - Carlock: JUST A MINUTE! 1325 01:29:59,728 --> 01:30:01,363 - CATTLE AREN'T DANGEROUS! - TEMPLE? 1326 01:30:01,464 --> 01:30:03,999 AND THEY'RE PREDICTABLE. SO IT'S NOT HARD TO DESIGN A SYSTEM 1327 01:30:04,099 --> 01:30:05,668 - THAT WON'T HURT 'EM! - WHAT ARE YOU DOING IN CALIFORNIA? 1328 01:30:05,768 --> 01:30:08,571 BUT THE COWBOYS WOULD RATHER PROD 'EM AND SCARE 'EM. 1329 01:30:08,671 --> 01:30:09,972 DID YOU DRIVE ALL NIGHT? 1330 01:30:10,072 --> 01:30:12,475 I DESIGNED A DIP VAT AT JOHN RED RIVER FEEDLOT 1331 01:30:12,575 --> 01:30:14,643 BASED ON THE WAY CATTLE SEE AND THINK AND BEHAVE 1332 01:30:14,743 --> 01:30:16,311 AND THE EDITOR OF "CATTLE MAGAZINE" 1333 01:30:16,411 --> 01:30:18,246 SAID IT WAS A MASTERPIECE BUT THE COWBOYS 1334 01:30:18,346 --> 01:30:20,215 KILLED THREE COWS IN IT-- 1335 01:30:20,315 --> 01:30:21,316 - THREE... - UH-HUH. 1336 01:30:21,416 --> 01:30:22,585 ...IN FIVE MINUTES 1337 01:30:22,685 --> 01:30:24,820 BECAUSE THEY WOULDN'T FOLLOW MY DESIGN! 1338 01:30:24,920 --> 01:30:27,222 TEMPLE, WOULD YOU LIKE TO SIT DOWN, OR-- 1339 01:30:27,322 --> 01:30:29,257 - I CAN'T PROTECT THE CATTLE... - I'M HAVING A CUT OF TEA. WOULD YOU LIKE TO JOIN ME? 1340 01:30:29,357 --> 01:30:30,893 ...UNLESS I DESIGN THE WHOLE SYSTEM FROM THE MOMENT THEY ENTER 1341 01:30:30,993 --> 01:30:33,395 TO THE MOMENT THEY GET SLAUGHTERED. 1342 01:30:33,496 --> 01:30:35,430 ARE YOU TALKING ABOUT A SLAUGHTERHOUSE? 1343 01:30:35,531 --> 01:30:37,399 WELL, OF COURSE THEY'RE GONNA GET SLAUGHTERED. 1344 01:30:37,500 --> 01:30:40,703 DO YOU THINK WE'D HAVE CATTLE IF PEOPLE DIDN'T EAT 'EM EVERY DAY? 1345 01:30:40,803 --> 01:30:42,971 THEY'D JUST BE FUNNY-LOOKIN' ANIMALS IN ZOOS. 1346 01:30:43,071 --> 01:30:45,741 NO, WE RAISE THEM FOR US. 1347 01:30:45,841 --> 01:30:48,076 THAT MEANS WE OWE THEM SOME RESPECT. 1348 01:30:50,112 --> 01:30:53,716 NATURE IS CRUEL, BUT WE DON'T HAVE TO BE. 1349 01:30:53,816 --> 01:30:58,120 I WOULDN'T WANT TO HAVE MY GUTS RIPPED OUT BY A LION. 1350 01:30:58,220 --> 01:31:02,390 I'D MUCH RATHER DIE IN A SLAUGHTERHOUSE IF IT WAS DONE RIGHT! 1351 01:31:02,491 --> 01:31:03,892 IT SEEMS TO ME THAT YOU SHOULD BE THE ONE-- 1352 01:31:03,992 --> 01:31:05,794 WELL, WE CAN EASILY DO IT IN A WAY 1353 01:31:05,894 --> 01:31:09,064 WHERE THEY DON'T FEEL PAIN AND THEY DON'T GET SCARED. 1354 01:31:09,164 --> 01:31:11,099 AND THEIR CORTISOL LEVELS GO THROUGH THE ROOF! 1355 01:31:11,199 --> 01:31:13,201 OKAY. DID YOU HEAR WHAT I SAID, TEMPLE? I THINK YOU'RE THE ONE 1356 01:31:13,301 --> 01:31:15,237 - WHO SHOULD DESIGN THE SLAUGHTERHOUSE. - YEAH, WELL, I'M GOING-- 1357 01:31:15,337 --> 01:31:18,507 I KNOW A SLAUGHTERHOUSE THAT'S A MESS AND I KNOW EXACTLY HOW TO FIX IT. 1358 01:31:19,407 --> 01:31:20,943 HMM. 1359 01:31:40,929 --> 01:31:43,065 ( moos ) 1360 01:31:53,375 --> 01:31:54,910 IT'S A DOOR. 1361 01:31:55,010 --> 01:31:56,679 IT'S ANOTHER DOOR. 1362 01:32:05,253 --> 01:32:06,589 CAN I HELP YOU? 1363 01:32:06,689 --> 01:32:08,390 HELLO, IT'S VERY NICE TO MEET YOU. 1364 01:32:08,490 --> 01:32:09,992 I'D LIKE TO TOUR YOUR SLAUGHTERHOUSE. 1365 01:32:10,092 --> 01:32:11,359 EXCUSE ME? 1366 01:32:11,459 --> 01:32:14,329 HELLO, IT'S VERY NICE TO MEET YOU. 1367 01:32:14,429 --> 01:32:15,631 I'D LIKE TO TOUR YOUR SLAUGHTERHOUSE. 1368 01:32:15,731 --> 01:32:17,465 WE DON'T DO TOURS, MA'AM. 1369 01:32:17,566 --> 01:32:20,402 I DESIGNED A DRIP VAT AT JOHN WAYNE'S RED RIVER FEEDLOT 1370 01:32:20,502 --> 01:32:22,170 THAT THE EDITOR OF "CATTLE MAGAZINE" SAID WAS A MASTERPIECE-- 1371 01:32:22,270 --> 01:32:24,940 SECURITY? CAN I GET SECURITY TO THE FRONT OFFICE? 1372 01:32:38,186 --> 01:32:40,088 ( brakes squeal ) 1373 01:32:50,866 --> 01:32:54,536 Eustacia: Temple, I'm so sorry to leave this message on your answering machine, 1374 01:32:54,637 --> 01:32:56,171 but I thought you'd want to know 1375 01:32:56,271 --> 01:32:59,541 that your friend Dr. Carlock has died. 1376 01:32:59,642 --> 01:33:01,009 WELL, I JUST SAW HIM! 1377 01:33:01,109 --> 01:33:03,545 Apparently, he'd been sick for some time. 1378 01:33:03,646 --> 01:33:06,348 You can call me anytime. 1379 01:33:06,448 --> 01:33:08,250 Bye, sweetheart. 1380 01:33:08,350 --> 01:33:10,285 I JUST SAW HIM. 1381 01:33:19,394 --> 01:33:20,729 WHAT ARE THEY DOING? 1382 01:33:20,829 --> 01:33:23,966 THEY'RE PAYING THEIR RESPECTS. 1383 01:33:24,066 --> 01:33:27,770 IT'S A WAY OF SAYING THANK YOU AND GOODBYE. 1384 01:33:27,870 --> 01:33:30,472 I SAID GOODBYE WHEN I SAW HIM. 1385 01:33:30,572 --> 01:33:34,342 THIS IS A FINAL CHANCE TO SAY GOODBYE. 1386 01:33:47,790 --> 01:33:49,191 ( quiet sobbing ) 1387 01:34:46,614 --> 01:34:49,584 TEMPLE. TEMPLE. 1388 01:34:49,684 --> 01:34:52,354 - ARE YOU ALL RIGHT? - I'M LEAVING NOW. 1389 01:34:52,454 --> 01:34:54,857 WELL-- IT ISN'T OVER YET. 1390 01:34:54,957 --> 01:34:58,026 I SAID GOODBYE WHEN I SAW HIM. HE'S NOT THERE. 1391 01:34:58,126 --> 01:34:59,527 AH. 1392 01:34:59,627 --> 01:35:01,830 I'VE GOT HIM IN MY MIND. 1393 01:35:04,499 --> 01:35:06,601 DO YOU KNOW WHERE THEY GO? 1394 01:35:06,701 --> 01:35:10,739 NO. NO, I DON'T. 1395 01:35:14,442 --> 01:35:16,945 OKAY. I'M GONNA GO NOW. 1396 01:35:27,856 --> 01:35:30,058 DRIVE SAFELY. 1397 01:35:54,749 --> 01:35:57,285 ( register dings ) 1398 01:35:58,453 --> 01:36:00,422 Clerk: THERE YOU ARE, MA'AM. 1399 01:36:13,301 --> 01:36:15,570 ( whimpering ) 1400 01:36:15,670 --> 01:36:18,807 MY, THAT'S A PRETTY BLOUSE. 1401 01:36:18,907 --> 01:36:20,809 I HOPE YOU DON'T MIND ME SAYIN' SO. 1402 01:36:20,909 --> 01:36:22,710 SOME PEOPLE THINK I'M FORWARD, 1403 01:36:22,811 --> 01:36:24,012 BUT, YOU KNOW, IF I LIKE SOMETHIN', 1404 01:36:24,112 --> 01:36:25,914 I JUST COME RIGHT OUT AND JUST COMPLIMENT 'EM. 1405 01:36:26,014 --> 01:36:28,550 ( laughs ) IT'S NICE TO GET A COMPLIMENT, 1406 01:36:28,650 --> 01:36:30,819 DON'T YOU THINK? 1407 01:36:30,919 --> 01:36:32,554 THANK YOU. IT'S VERY NICE TO MEET YOU. 1408 01:36:32,654 --> 01:36:33,889 I'M TEMPLE GRANDIN. 1409 01:36:33,989 --> 01:36:35,557 WELL, UH-- I-- IT'S NICE TO MEET YOU TOO. 1410 01:36:35,657 --> 01:36:37,492 I'M BETTY. 1411 01:36:37,592 --> 01:36:40,062 WELL THEN, THERE WE ARE. 1412 01:36:41,830 --> 01:36:44,132 ARE YOU WAITIN' TO MEET SOMEBODY OR SOMETHIN'? 1413 01:36:44,232 --> 01:36:47,669 NO, I HAVE TROUBLE WITH AUTOMATIC DOORS SOMETIMES WHEN I'M NERVOUS. 1414 01:36:47,769 --> 01:36:49,304 I'M AUTISTIC. 1415 01:36:49,404 --> 01:36:51,139 OH. 1416 01:36:51,239 --> 01:36:54,342 MY SON IS ARTISTIC AND HE'S GOT THE SAME THING WITH AIRPLANES. 1417 01:36:54,442 --> 01:36:55,777 OH, COME ON. 1418 01:36:55,878 --> 01:36:57,779 YOU JUST COME ALONG WITH ME. 1419 01:36:57,880 --> 01:37:00,782 ALL RIGHT. COME ON. 1420 01:37:00,883 --> 01:37:03,986 AND-- AND I'LL MAKE SURE THAT THEY STAY OPEN. 1421 01:37:06,955 --> 01:37:08,590 ALL RIGHT? YOU ARE SAFE NOW. 1422 01:37:08,690 --> 01:37:10,358 YOU'RE SAFE. 1423 01:37:15,763 --> 01:37:18,600 - THANK YOU. - MY PLEASURE. 1424 01:37:18,700 --> 01:37:21,169 ( laughs ) ARE YOU A HORSEWOMAN? 1425 01:37:21,269 --> 01:37:22,871 I MEAN, YOU KNOW, YOUR SHIRT? 1426 01:37:22,971 --> 01:37:25,007 WELL, I LIKE HORSES, BUT I WORK WITH CATTLE. 1427 01:37:25,107 --> 01:37:28,843 I DESIGNED A DIP THAT "CATTLE MAGAZINE" CALLED BRILLIANT. 1428 01:37:28,944 --> 01:37:31,779 OH MY GOLLY, MY HUSBAND READ ABOUT YOU. 1429 01:37:31,880 --> 01:37:34,016 HE WORKS OVER AT ABBOT. 1430 01:37:34,116 --> 01:37:36,018 - ABBOT SLAUGHTERHOUSE? - YEAH. 1431 01:37:36,118 --> 01:37:38,153 - YOU HEARD OF IT? - WELL, I WANNA REDESIGN IT. 1432 01:37:38,253 --> 01:37:39,621 I WENT THERE, BUT THEY WOULDN'T LET ME MEET WITH THEM. 1433 01:37:39,721 --> 01:37:41,789 BUT I HAVE SEVERAL IDEAS ABOUT HOW TO MAKE A NEW FACILITY 1434 01:37:41,890 --> 01:37:43,992 THAT WILL BE MUCH MORE HUMANE AND EFFICIENT. 1435 01:37:44,092 --> 01:37:47,395 WELL, I GUESS YOU JUST HAVE TO MEET MY HUSBAND THEN. 1436 01:37:47,495 --> 01:37:50,665 HOW WONDERFUL THAT WE BUMPED INTO EACH OTHER. 1437 01:37:50,765 --> 01:37:53,068 ( laughs ) 1438 01:37:53,168 --> 01:37:56,271 A DOOR OPENED AND I WENT THROUGH IT. 1439 01:37:56,371 --> 01:37:58,306 YES, YOU DID. 1440 01:37:58,406 --> 01:38:00,442 AND I HELD IT. 1441 01:38:05,047 --> 01:38:07,249 ( steam hissing ) 1442 01:38:07,349 --> 01:38:09,717 THIS LOOKS LIKE AN AIRPORT FOR COWS. 1443 01:38:09,817 --> 01:38:11,686 - ( laughter ) - THANK YOU. 1444 01:38:11,786 --> 01:38:13,721 I DIDN'T MEAN THAT AS A COMPLIMENT. 1445 01:38:13,821 --> 01:38:16,391 AND CONVEYOR BELTS FOR CATTLE? 1446 01:38:16,491 --> 01:38:20,795 - ( laughter ) - DO YOU HAVE ANY IDEA WHAT THE COST IS ON THIS? 1447 01:38:20,895 --> 01:38:24,166 AND YOU'VE GOT SOLID WALLS AND FLOORS. 1448 01:38:24,266 --> 01:38:27,402 WE HAVE THOSE SLATTED FOR A REASON. 1449 01:38:27,502 --> 01:38:29,904 - IT'S CHEAPER. - I'M SORRY, MISS GRANDIN. 1450 01:38:30,005 --> 01:38:31,806 IT'S CLEAR YOU JUST DON'T HAVE THE EXPERIENCE 1451 01:38:31,906 --> 01:38:33,241 TO DESIGN SOMETHING LIKE THIS. 1452 01:38:33,341 --> 01:38:35,010 THE WALLS ARE SOLID SO THE CATTLE 1453 01:38:35,110 --> 01:38:37,812 WON'T BE DISTRACTED BY LIGHT OR MOVEMENT OUTSIDE. 1454 01:38:37,912 --> 01:38:39,781 THEY BALK AT UNEXPECTED THINGS. 1455 01:38:39,881 --> 01:38:42,150 I'M SURE THAT'S NICE FOR THE CATTLE, BUT THE COST, MISS-- 1456 01:38:42,250 --> 01:38:43,818 HOW MUCH MONEY DOES IT COST YOU 1457 01:38:43,918 --> 01:38:46,021 TO PAY HANDLERS TO PROD THE CATTLE ALONG 1458 01:38:46,121 --> 01:38:48,490 AND THEN HOLD 'EM BACK WHEN THEY STAMPEDE? 1459 01:38:48,590 --> 01:38:52,094 HOW MANY TIMES A DAY DO YOUR CHUTES STOP BECAUSE OF PILE-UPS? 1460 01:38:52,194 --> 01:38:55,863 HOW MANY COWS BREAK A LEG AND BRING EVERYTHING TO A HALT? 1461 01:38:55,964 --> 01:38:58,666 WITH MY SYSTEM, THERE'D BE NONE OF THAT. 1462 01:38:58,766 --> 01:39:01,736 THERE'D BE A STEADY CALM FLOW. 1463 01:39:01,836 --> 01:39:05,473 WELL, THAT SOUNDS GREAT, BUT YOU DON'T HAVE ANY IDEA OF WHETHER IT'LL WORK. 1464 01:39:05,573 --> 01:39:06,874 BUT I DO. 1465 01:39:06,975 --> 01:39:09,111 I'M LIKE NIKOLA TESLA OR THOMAS EDISON-- 1466 01:39:09,211 --> 01:39:11,179 I KNOW MY SYSTEM WILL WORK 'CAUSE I'VE BEEN THROUGH IT 1467 01:39:11,279 --> 01:39:13,048 A THOUSAND TIMES IN MY HEAD. 1468 01:39:13,148 --> 01:39:15,450 I CAN SEE A CHUTE JUST AS THE CATTLE WILL 1469 01:39:15,550 --> 01:39:17,119 BECAUSE THAT'S SOMETHING MY AUTISM LETS ME DO. 1470 01:39:17,219 --> 01:39:19,887 I CAN WALK THROUGH A PLAN IN MY MIND, 1471 01:39:19,988 --> 01:39:22,924 EXAMINING EVERY BEAM AND EVERY RIVET. 1472 01:39:23,025 --> 01:39:24,359 I MEAN, YOU JUST SEE A PLAN, 1473 01:39:24,459 --> 01:39:27,562 BUT I'M WALKIN' THROUGH THE WHOLE PLANT. 1474 01:39:27,662 --> 01:39:32,167 OKAY, THE CATTLE GO THROUGH A SERIES OF SOLID CURVES. 1475 01:39:32,267 --> 01:39:35,137 THE FLOOR IS SOLID TOO-- GROOVED. 1476 01:39:35,237 --> 01:39:38,340 THE CHUTE GETS SMALLER, BUT THE CATTLE WON'T MIND. 1477 01:39:38,440 --> 01:39:40,075 THEY DON'T-- THEY DON'T SEE ANY DANGER. 1478 01:39:40,175 --> 01:39:42,177 THEY THINK THEY'RE JUST GETTIN' INTO ANOTHER TRUCK. 1479 01:39:42,277 --> 01:39:45,180 THE STAIRWAY LEADS THEM GENTLY UPWARDS. 1480 01:39:45,280 --> 01:39:48,116 THE FLOOR BECOMES A CONVEYOR. 1481 01:39:48,216 --> 01:39:51,119 A REST RISES UP TO MEET THEIR CHEST 1482 01:39:51,219 --> 01:39:53,555 SO THEY'RE COMFORTABLY CARRIED. 1483 01:39:53,655 --> 01:39:57,392 THEY'LL BE VERY CALM. 1484 01:40:08,103 --> 01:40:11,839 NATURE IS CRUEL, BUT WE DON'T HAVE TO BE. 1485 01:40:11,939 --> 01:40:15,410 WE OWE THEM SOME RESPECT. 1486 01:40:18,346 --> 01:40:20,548 I TOUCHED THE FIRST COW AS IT WAS BEING STUNNED. 1487 01:40:20,648 --> 01:40:24,186 IN A FEW SECONDS, IT WAS GONNA BE JUST ANOTHER PIECE OF BEEF, BUT... 1488 01:40:24,286 --> 01:40:28,022 - ( heart beating ) - ...IN THAT MOMENT, IT WAS STILL AN INDIVIDUAL. 1489 01:40:28,990 --> 01:40:31,593 IT WAS CALM 1490 01:40:33,328 --> 01:40:35,330 AND THEN IT WAS GONE. 1491 01:40:35,430 --> 01:40:40,235 I BECAME AWARE OF HOW PRECIOUS LIFE WAS. 1492 01:40:40,335 --> 01:40:44,339 AND I THOUGHT ABOUT DEATH AND I FELT CLOSE TO GOD. 1493 01:40:47,909 --> 01:40:50,245 I DON'T WANT MY THOUGHTS TO DIE WITH ME. 1494 01:40:50,345 --> 01:40:53,381 I WANT TO HAVE DONE SOMETHING. 1495 01:40:53,481 --> 01:40:56,451 THANK YOU FOR INVITING ME. 1496 01:40:56,551 --> 01:40:59,521 YOU WERE THE ONE PERSON I WANTED HERE. 1497 01:40:59,621 --> 01:41:03,125 OTHER PEOPLE WOULD HAVE BEEN OVERWHELMED BY WHAT THEY WERE SEEING. 1498 01:41:03,225 --> 01:41:04,526 IT WOULD HAVE CONFUSED THEM. 1499 01:41:04,626 --> 01:41:06,094 I KNEW YOU WOULD BE THE ONLY ONE 1500 01:41:06,194 --> 01:41:07,762 ABLE TO SENSE WHAT WAS REALLY GOING ON, 1501 01:41:07,862 --> 01:41:11,166 WHO COULD FEEL WHAT I WAS TRYING TO ACCOMPLISH. 1502 01:41:11,266 --> 01:41:13,568 I KNOW THERE ARE A LOT OF THINGS I CAN'T UNDERSTAND, 1503 01:41:13,668 --> 01:41:16,171 BUT I STILL WANT MY LIFE TO HAVE MEANING. 1504 01:41:25,580 --> 01:41:28,650 I DON'T KNOW THAT I WANT TO HEAR FROM ANY MORE EXPERTS. 1505 01:41:28,750 --> 01:41:32,420 - ( people shouting ) - Expert: IF YOU WILL PLEASE LET ME FINISH. 1506 01:41:32,520 --> 01:41:34,522 WILL YOU PLEASE LET ME FINISH? 1507 01:41:34,622 --> 01:41:37,659 WITH INTENSIVE PSYCHOTHERAPY, AN AUTISTIC CHILD CAN BE TREATED-- 1508 01:41:37,759 --> 01:41:39,227 Woman: BUT THE RIMLAND REPORT PLAINLY SHOWS 1509 01:41:39,327 --> 01:41:40,928 THAT AUTISM IS NOT A PSYCHOLOGICAL PROBLEM. 1510 01:41:41,028 --> 01:41:43,064 Expert: I AM NOT FAMILIAR WITH THE RIMLAND REPORT. 1511 01:41:43,165 --> 01:41:44,766 CALM DOWN. CALM DONE, SWEETIE. 1512 01:41:44,866 --> 01:41:46,701 SWEETIE, CALM DOWN. CALM DOWN. 1513 01:41:46,801 --> 01:41:47,902 Expert: IT WOULD BE BETTER IF YOU COULD GET HER TO SIT CALMLY. 1514 01:41:48,002 --> 01:41:49,804 TRY TO CONTROL HER. 1515 01:41:49,904 --> 01:41:51,806 Man £2: BUT WE WERE TOLD SELF-STIMMING IS GOOD. 1516 01:41:51,906 --> 01:41:53,275 IT EVENTUALLY CALMS THEM. 1517 01:41:53,375 --> 01:41:55,177 Woman: SELF-STIMMING IS SELF-COMFORTING. 1518 01:41:55,277 --> 01:41:56,611 Man £2: SELF-STIMULATION-- ROCKING, SPINNING, 1519 01:41:56,711 --> 01:41:58,813 ROLLING ON THE FLOOR, FLAPPING THE-- 1520 01:41:58,913 --> 01:42:00,682 WELL, I THINK SPINNING IS GOOD. 1521 01:42:00,782 --> 01:42:02,584 AND ROLLING TOO. 1522 01:42:02,684 --> 01:42:06,354 SELF-STIMULATION DOES SEEM TO EVENTUALLY CALM THE NERVOUS SYSTEM. 1523 01:42:06,454 --> 01:42:09,391 IT CAN BE A WAY TO COMPENSATE FOR NOT BEING HELD. 1524 01:42:09,491 --> 01:42:12,026 AND BEING HELD BY ANOTHER PERSON IS SCARY, 1525 01:42:12,126 --> 01:42:15,697 BUT ROLLING OR BEING HELD BY SURFACES 1526 01:42:15,797 --> 01:42:18,533 PRODUCES THE CALMING EFFECT THAT ORDINARY CHILDREN GET FROM A HUG. 1527 01:42:18,633 --> 01:42:20,968 Woman £2: HOW OLD'S YOUR CHILD? 1528 01:42:21,068 --> 01:42:23,438 WELL, I DON'T HAVE CHILDREN. 1529 01:42:23,538 --> 01:42:26,708 - ( crowd groans ) - NO, I'M AUTISTIC. 1530 01:42:26,808 --> 01:42:30,312 AND I NEED THE SENSATION OF BEING HUGGED. 1531 01:42:30,412 --> 01:42:33,315 AND I'VE DEVELOPED A MACHINE THAT I GET INTO 1532 01:42:33,415 --> 01:42:35,683 AND HUGS ME AND I'M DIFFERENT AFTERWARDS. 1533 01:42:35,783 --> 01:42:37,219 I'M MORE SOCIAL. 1534 01:42:37,319 --> 01:42:39,654 WELL, I DIDN'T SPEAK UNTIL I WAS FOUR 1535 01:42:39,754 --> 01:42:42,957 AND NOW I HAVE A B.A. AND A MASTERS 1536 01:42:43,057 --> 01:42:44,592 AND I'M STUDYING FOR MY DOCTORATE. 1537 01:42:44,692 --> 01:42:49,531 - ( crowd clamors ) - PLEASE DON'T SHOUT! PLEASE! 1538 01:42:49,631 --> 01:42:52,834 UH, MOST AUTISTIC PEOPLE ARE VERY SENSITIVE 1539 01:42:52,934 --> 01:42:56,271 TO SOUNDS AND COLORS. 1540 01:42:56,371 --> 01:42:59,341 OVER-STIMULATION HURTS. 1541 01:42:59,441 --> 01:43:03,911 YOU KNOW, PEOPLE TALKIN' TOO MUCH AT ONCE, YOU KNOW, CAN CAUSE US TO PANIC. 1542 01:43:04,011 --> 01:43:06,180 Man £3: HOW DID YOU GET CURED? 1543 01:43:06,281 --> 01:43:08,916 WELL, I'M NOT CURED. 1544 01:43:09,016 --> 01:43:10,352 I'LL ALWAYS BE AUTISTIC. 1545 01:43:10,452 --> 01:43:14,356 MY MOTHER REFUSED TO BELIEVE THAT I WOULDN'T SPEAK. 1546 01:43:14,456 --> 01:43:18,326 AND WHEN I LEARNED TO SPEAK, SHE MADE ME GO TO SCHOOL. 1547 01:43:18,426 --> 01:43:21,329 AND IN SCHOOL AND AT HOME, 1548 01:43:21,429 --> 01:43:24,031 MANNERS AND RULES WERE REALLY IMPORTANT. 1549 01:43:24,131 --> 01:43:26,067 THEY WERE POUNDED INTO ME. 1550 01:43:26,167 --> 01:43:27,569 I WAS LUCKY. 1551 01:43:27,669 --> 01:43:29,504 ALL THESE THINGS WORKED FOR ME. 1552 01:43:29,604 --> 01:43:32,740 EVERYONE WORKED HARD TO MAKE SURE THAT I WAS ENGAGED. 1553 01:43:32,840 --> 01:43:35,877 I MEAN, THEY KNEW I WAS DIFFERENT, BUT NOT LESS. 1554 01:43:35,977 --> 01:43:37,979 YOU KNOW, I HAD A GIFT. 1555 01:43:38,079 --> 01:43:39,781 I COULD SEE THE WORLD IN A NEW WAY. 1556 01:43:39,881 --> 01:43:43,217 I COULD SEE DETAILS THAT OTHER PEOPLE WERE BLIND TO. 1557 01:43:44,519 --> 01:43:47,455 MY MOTHER PUSHED ME TO BECOME SELF-SUFFICIENT. 1558 01:43:47,555 --> 01:43:50,658 I WORKED SUMMERS AT MY AUNT'S RANCH. 1559 01:43:50,758 --> 01:43:53,395 I WENT TO BOARDING SCHOOL AND COLLEGE 1560 01:43:53,495 --> 01:43:56,831 AND THOSE THINGS W-WERE UNCOMFORTABLE FOR ME AT FIRST, 1561 01:43:56,931 --> 01:43:59,434 BUT THEY HELPED ME TO OPEN DOORS TO NEW WORLDS. 1562 01:43:59,534 --> 01:44:01,569 Woman: EXCUSE ME, PLEASE, 1563 01:44:01,669 --> 01:44:03,805 BUT WE WANT TO HEAR EVERYTHING. 1564 01:44:03,905 --> 01:44:05,907 - Man: YES. - Woman: PLEASE. 1565 01:44:06,007 --> 01:44:07,375 ( parents clamoring quietly ) 1566 01:44:29,364 --> 01:44:31,198 Temple's voice: ARE YOU A SCIENTIST? 1567 01:44:31,299 --> 01:44:32,767 Mr. Peters' voice: YOU CANNOT HIT PEOPLE. 1568 01:44:32,867 --> 01:44:34,402 Dr. Carlock's voice: THINK YOU CAN FIGURE IT OUT? 1569 01:44:34,502 --> 01:44:37,572 Students' voices: FIVE, FOUR, THREE, TWO, ONE. 1570 01:44:37,672 --> 01:44:39,273 Temple's voice: I HAVE A PEN AND A CLIPBOARD. 1571 01:44:39,374 --> 01:44:40,942 Carlock's voice: THINK OF IT AS A DOOR. 1572 01:44:41,042 --> 01:44:42,444 Don's voice: JUST TAKE ONE KNOCK TO THE HEAD. 1573 01:44:42,544 --> 01:44:44,111 Temple's voice: I DON'T UNDERSTAND 1574 01:44:44,211 --> 01:44:45,513 WHY PEOPLE ARE CRUEL FOR NO REASON! 1575 01:44:45,613 --> 01:44:47,315 Carlock's voice: YOU HAVE A VERY SPECIAL MIND. 1576 01:44:47,415 --> 01:44:49,517 YOU SEE THE WORLD IN WAYS THAT OTHERS CAN'T. 1577 01:44:49,617 --> 01:44:51,686 Red Harris's voice: MISS GRANDIN, THIS IS A MASTERPIECE. 1578 01:44:51,786 --> 01:44:54,088 Temple's voice: A DOOR OPENED AND I WENT THROUGH IT. 1579 01:44:54,188 --> 01:44:55,323 Betty's voice: YES, YOU DID, 1580 01:44:55,423 --> 01:44:57,625 AND I HELD IT. 1581 01:45:01,496 --> 01:45:03,931 I'M TEMPLE GRANDIN. 1582 01:45:04,031 --> 01:45:05,433 ( photo snaps )